Alienation Effect | Definition, Examples, & Facts | Britannica

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External Websites Ask the Chatbot a Question Also known as: A-effect, V-effekt, Verfremdungseffekt, distancing effect(Show More) Written and fact-checked by Britannica Editors Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Britannica Editors History Table of Contents Table of Contents Ask the Chatbot

alienation effect, idea central to the dramatic theory of the German dramatist-director Bertolt Brecht. It involves the use of techniques designed to distance the audience from emotional involvement in the play through jolting reminders of the artificiality of the theatrical performance.

Examples of such techniques include explanatory captions or illustrations projected on a screen; actors stepping out of character to lecture, summarize, or sing songs; and stage designs that do not represent any locality but that, by exposing the lights and ropes, keep the spectators aware of being in a theatre. The audience’s degree of identification with characters and events is presumably thus controlled, and it can more clearly perceive the “real” world reflected in the drama.

Also called: a-effect or distancing effect (Show more) German: Verfremdungseffekt or V-effekt (Show more) Key People: Bertolt Brecht (Show more) Related Topics: staging (Show more) See all related content

Brecht conceived the alienation effect not only as a specific aesthetic program but also as a political mission of the theatre. Inspired by the philosophies of G.W.F. Hegel and Karl Marx and by Viktor Shklovsky’s theory of ostranenie (“making it strange,” or defamiliarization), Brecht regarded his method as a way of helping spectators understand the complex nexuses of historical development and societal relationships. By creating stage effects that were strange or unusual, Brecht intended to assign the audience an active role in the production by forcing them to ask questions about the artificial environment and how each individual element related to real-life events. In doing so, it was hoped that viewers would distance themselves emotionally from problems that demanded intellectual solutions.

The Editors of Encyclopaedia BritannicaThis article was most recently revised and updated by Adam Augustyn.