Hunter College, CUNY, Fall 2018 | Robert Rauschenberg Foundation

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Hunter College, CUNY, Research Methods: Robert Rauschenberg, Fall 2018

The Robert Rauschenberg Foundation collaborated with the MA Program in Art History at Hunter College, City University of New York, in conducting a Research Methods course taught by Emily Braun, Distinguished Professor. Each student produced comprehensive documentation and a detailed essay on an individual work by Rauschenberg in the Foundation’s holdings.

Research Methods is the foundational course in the Hunter program and provides training for academic and curatorial work by emphasizing the research skills (in primary and secondary sources) essential for the analysis of material and historical artefacts. Students also learn methods and theoretical frameworks for critical interpretation, which they apply to the writing of an expository essay. In the fall of 2018, the Robert Rauschenberg Foundation mounted an installation at their headquarters of artworks in need of scholarly research. They included objects in diverse media, from all stages of the artist’s career. Seven Hunter College MA students each selected one of these art objects to study in depth. Following the model of catalogue raisonné entries, they provided full provenance as well as publication and exhibition history. As a group, they worked with a conservator to examine the materials and processes involved in the creation of each of the works, sharing potentially valuable observations. The seven interpretative essays, published here, place the objects in a broader art historical and cultural context (including their critical reception) and explicate issues of dating, title, condition, style, iconography, and related artworks.

A group of five people sitting on the floor looking intently at an artwork depicting iconic paintings of Western art history.

Hunter students, conservators, and Rauschenberg Foundation staff studying Untitled (Japanese Recreational Claywork), 1983.

Research Method Essays

A sculptural work hanging on a wall, with a cardboard box next to a rectangular canvas, from the center of the canvas a rubber rope-like piece hands down to the floor.

Untitled (Venetian), 1973

Related essay by Kristin Howell

A sculpture composed of three rectangular, textured forms, a stick tied with a rope that is leaning away from them on the right side, and a piece of light fabric draping off the left side.

Untitled (Early Egyptian), 1974

Related essay by Beatrice Johnson

A rectangular, beige artwork with light, grey impressions of newspaper pages. A piece of gauzy, transparent fabric is attached on the left side and five brown paper bags are on the right.

Untitled, 1974

Related essay by Margaret Colbert

An artwork hanging on a wall, composed of a piece of white fabric on top and a striped beige fabric on the bottom, with a horizontal fabric-wrapped pole in the center.

Snowpool (Jammer), 1976

Related essay by Evan Bellantone

An artwork combing a small reproduction of The Dance Foyer at the Opera on the rue Le Peletier by Edgar Degas at the top, a reproduction of The Gleaners by Jean-François Millet as the background, a red line across the lower part of the work, and Japanese text in the top right corner.

Untitled (Japanese Recreational Claywork), 1983

Related essay by Kristen Clevenson

Overlapping images of crosses in orange, people on a beach in dark green, a flower in red, and a chair with striped shadows in purple on a copper background.

Copperhead-Bite VII / ROCI CHILE, 1985

Related essay by Vitoria Hadba

Abstracted red outlines of stacked bags on a black background.

Sugar Bags (Urban Bourbon), 1993

Related essay by Re'al Christian

Tag » Art History Hunter College