JLo Shakira Super Bowl Halftime Show Had Hidden Message
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Story from MusicADVERTISEMENTJ.Lo Brought A Stripper Pole To The Super Bowl — & A Message For Women & ImmigrantsCourtney E. SmithLast Updated 3 February 2020, 6:11 Photo: Elsa/Getty Images.Jennifer Lopez walked into Hard Rock Stadium in Miami tonight with something big to prove. After being snubbed by the Oscars for her work in Hustlers, she still had the Super Bowl halftime show to show her haters, doubters, and the entire Hollywood establishment who refuse to accept her that she is a force. So, she brought a stripper pole. Two of them, in fact.Going into this, 50-year-old Lopez and 43-year-old Shakira were making history as the first two Latinas to perform on the Super Bowl halftime stage. It was also the first time in the modern era that two solo women performers over 40 took that stage together.AdvertisementADVERTISEMENTShakira began with a short set that covered her catalogue in both English and Spanish but didn't overshadow the main attraction. She ran us through "She Wolf" and "Empire" with a sample of Led Zeppelin's "Kashmir," including a guitar solo briefly played by someone who appeared to be Jimmy Page himself, of whom the camera work barely got a clear shot. She sang "Ojos Así" and took us back to the 2002 MTV VMAs with "Whenever, Wherever." There was a strange moment of doing the original version of "I Like It Like That" with Bad Bunny, but it felt empty without Cardi B there for a verse. Stranger still, Cardi was in the stands watching. Shakira closed out with "Chantaje" and crowd-surfed away during "Hips Don't Lie," clearing the way for Lopez's grand entrance.Lopez doesn't do things by half measures and she was already guaranteed to do the maximum in this performance, with her Oscars moment snagged away. She started her set swinging from an art deco building, Miami mashed up with NYC, wearing in a leather bodysuit and a long, flowing pink skirt — invoking the monster energy of King Kong but the feminine looks of the girl King Kong holds hostage. There wasn't a chance in the world she was opening the night with any song other than "Jenny from the Block." From there, it was a medley of the greatest J.Lo hits, including "Ain't It Funny" and "Get Right" — both pointed message songs to those who failed to give J.Lo her propers. She changed outfits midstream, going from a BDSM vibe to a futuristic robot to segue into "Waiting for Tonight," during which she turned the whole stadium into a mid-2000s club.AdvertisementADVERTISEMENTAs promised, J Balvin joined her on stage next for a mash-up of his song "Que Color" and "Love Don't Cost a Thing." This is about where the whole world started Googling to find out where Pitbull, Mr Worldwide, Mr Miami was and why in the hell he wasn't there. (All we know is that he's got tour dates starting 7 February, he had a pre-show performance, and he was in a commercial so…maybe he's cool with it?) We got a little bit of "On the Floor," and at this point Lopez gave up on singing to put on a floor show of her own: the woman can dance.Lopez and Shakira know why they're at the Super Bowl this year: it's Miami, sure, and the NFL has taken enough flack for not being in touch with or reflecting their location so something with a Latinx flavour was an appropriate choice. But there has also been pushback the last two years to the Super Bowl passing up excellent women performers for middling men. Justin Timberlake's lifeless performance in Tennessee and Maroon 5's out-of-step with the location performance in Atlanta were rightly yelled down for not being Janet Jackson or literally anyone in hip-hop instead.It's no accident that Lopez's daughter, Emme Maribel Muñiz, was bathed in the light of the symbol for womanhood as it covered the stage when the mother-daughter duo began the final phase of their performance — with diverse children's choir and Shakira on the drums (quick and welcome reminder that women can play drums!). The song choice had a not-at-all subtle message also: "Let's Get Loud" mashed up with a moment of Bruce Springsteen's "Born in the USA" It was a call to women, a nod that says we see you, but it was also a moment for Dreamers and immigrants, who have faced incredible adversity under the Trump administration. Many noticed that the kids performing with them were in what looked like small cages, evoking the sense that Lopez and Shakira were urging immigrants to speak up about the abuses they have suffered under the administration's brutal family separation policy. They also used the moment to pay tribute to the late Kobe Bryant and his daughter Gianna.AdvertisementADVERTISEMENTThe other big energy, aside from the clear nods to Hustlers, that this team brought to the stage? That Netflix Cheer aesthetic was everywhere: in the choir's outfits, the pom-poms, and the cheering and tumbling moves they used to dominate the biggest moment of the halftime show.The performance ended on an odd note, with Shakira and Lopez coming together to perform "Waka Waka (This Time For Africa)," the former's 2010 World Cup song. Perhaps it was also a moment of unity in which the duo hoped to speak to other people of colour, but the song's legacy of strife with the African nation after that year hasn't quite died out and it landed as an off choice.The NFL let two women — not just any women, but women of a certain age— perform, turn it up, and even bring a stripper pole. And the world didn't collapse in on itself. See guys, it's fine.AdvertisementADVERTISEMENT UnbotheredMegchella Showed Us How Rewarding Joy Can Feel After A Healing EraMegan Thee Stallion was thee highlight of Coachella 2025. It was hard not to smile from ear to ear while watching the Grammy-winning rapper make the Indio by Taryn FinleyUnbotheredNo, Doechii Isn’t An “Industry Plant.” The Accusations Are Just P...A few years ago, Doechii was a little-known artist recording music from her bedroom and vlogging her come up on YouTube. Today, those circumstances are almby Carly Lewis-OduntanUnbotheredKendrick Lamar’s Super Bowl Halftime Show Held Up A Mirror ...Last September, the NFL announced one of the most awarded rappers in GRAMMY history, Kendrick Lamar, as 2025’s Super Bowl halftime show headliner andby Alexandra PolkAdvertisementADVERTISEMENTEntertainmentJoJo Is All Grown Up & In Her ‘Favourite Chapter Of Life’In 2004, Joanna “JoJo” Levesque was 13 years old and already making history. Off of her self-titled debut album, her breakout single “Leave (Get Out)by Lia TabackmanUnbotheredIf FLO Don’t Sound British, Blame The Music Industry, Not The BandIn 2022, British R&B group FLO released their debut single, Cardboard Box, quickly becoming a viral sensation. It’s an anthem for anyone who’s by Susan AkyeampongUnbotheredBeyoncé Doesn’t Need The CMAs To Validate Her Genius. Cowboy C...On Monday, the 2024 Country Music Association Awards (CMAs) made it clear that they want nothing to do with Beyoncè. The CMAs completely snubbed Queen Beyby Giana LevyDedicated Feature17 Forever: What Going To Gigs Has Taught Me About LifeFor those last minute live music nights, can’t-miss-it concerts or ‘second chance’ tickets to the biggest tours, viagogo is the one-stop shop for fanby Lucy HarbronUnbotheredIn Rap Feuds, Women Are The Collateral Damage & Drake Vs. Kendric...In the current digital economy, it is increasingly rare for the world to come together over a single event. Despite the increasingly segmented nature of thby Shamira IbrahimEntertainmentCowboy Carter Isn’t Revenge. It’s A Reeducation.In Beyoncé’s Homecoming film, a seminal text for any card-carrying member of the Beyhive, Nina Simone’s voice kicks in at around the 16-minute mark. 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Story from MusicADVERTISEMENTJ.Lo Brought A Stripper Pole To The Super Bowl — & A Message For Women & ImmigrantsCourtney E. SmithLast Updated 3 February 2020, 6:11 Photo: Elsa/Getty Images.Jennifer Lopez walked into Hard Rock Stadium in Miami tonight with something big to prove. After being snubbed by the Oscars for her work in Hustlers, she still had the Super Bowl halftime show to show her haters, doubters, and the entire Hollywood establishment who refuse to accept her that she is a force. So, she brought a stripper pole. Two of them, in fact.Going into this, 50-year-old Lopez and 43-year-old Shakira were making history as the first two Latinas to perform on the Super Bowl halftime stage. It was also the first time in the modern era that two solo women performers over 40 took that stage together.AdvertisementADVERTISEMENTShakira began with a short set that covered her catalogue in both English and Spanish but didn't overshadow the main attraction. She ran us through "She Wolf" and "Empire" with a sample of Led Zeppelin's "Kashmir," including a guitar solo briefly played by someone who appeared to be Jimmy Page himself, of whom the camera work barely got a clear shot. She sang "Ojos Así" and took us back to the 2002 MTV VMAs with "Whenever, Wherever." There was a strange moment of doing the original version of "I Like It Like That" with Bad Bunny, but it felt empty without Cardi B there for a verse. Stranger still, Cardi was in the stands watching. Shakira closed out with "Chantaje" and crowd-surfed away during "Hips Don't Lie," clearing the way for Lopez's grand entrance.Lopez doesn't do things by half measures and she was already guaranteed to do the maximum in this performance, with her Oscars moment snagged away. She started her set swinging from an art deco building, Miami mashed up with NYC, wearing in a leather bodysuit and a long, flowing pink skirt — invoking the monster energy of King Kong but the feminine looks of the girl King Kong holds hostage. There wasn't a chance in the world she was opening the night with any song other than "Jenny from the Block." From there, it was a medley of the greatest J.Lo hits, including "Ain't It Funny" and "Get Right" — both pointed message songs to those who failed to give J.Lo her propers. She changed outfits midstream, going from a BDSM vibe to a futuristic robot to segue into "Waiting for Tonight," during which she turned the whole stadium into a mid-2000s club.AdvertisementADVERTISEMENTAs promised, J Balvin joined her on stage next for a mash-up of his song "Que Color" and "Love Don't Cost a Thing." This is about where the whole world started Googling to find out where Pitbull, Mr Worldwide, Mr Miami was and why in the hell he wasn't there. (All we know is that he's got tour dates starting 7 February, he had a pre-show performance, and he was in a commercial so…maybe he's cool with it?) We got a little bit of "On the Floor," and at this point Lopez gave up on singing to put on a floor show of her own: the woman can dance.Lopez and Shakira know why they're at the Super Bowl this year: it's Miami, sure, and the NFL has taken enough flack for not being in touch with or reflecting their location so something with a Latinx flavour was an appropriate choice. But there has also been pushback the last two years to the Super Bowl passing up excellent women performers for middling men. Justin Timberlake's lifeless performance in Tennessee and Maroon 5's out-of-step with the location performance in Atlanta were rightly yelled down for not being Janet Jackson or literally anyone in hip-hop instead.It's no accident that Lopez's daughter, Emme Maribel Muñiz, was bathed in the light of the symbol for womanhood as it covered the stage when the mother-daughter duo began the final phase of their performance — with diverse children's choir and Shakira on the drums (quick and welcome reminder that women can play drums!). The song choice had a not-at-all subtle message also: "Let's Get Loud" mashed up with a moment of Bruce Springsteen's "Born in the USA" It was a call to women, a nod that says we see you, but it was also a moment for Dreamers and immigrants, who have faced incredible adversity under the Trump administration. Many noticed that the kids performing with them were in what looked like small cages, evoking the sense that Lopez and Shakira were urging immigrants to speak up about the abuses they have suffered under the administration's brutal family separation policy. They also used the moment to pay tribute to the late Kobe Bryant and his daughter Gianna.AdvertisementADVERTISEMENTThe other big energy, aside from the clear nods to Hustlers, that this team brought to the stage? That Netflix Cheer aesthetic was everywhere: in the choir's outfits, the pom-poms, and the cheering and tumbling moves they used to dominate the biggest moment of the halftime show.The performance ended on an odd note, with Shakira and Lopez coming together to perform "Waka Waka (This Time For Africa)," the former's 2010 World Cup song. Perhaps it was also a moment of unity in which the duo hoped to speak to other people of colour, but the song's legacy of strife with the African nation after that year hasn't quite died out and it landed as an off choice.The NFL let two women — not just any women, but women of a certain age— perform, turn it up, and even bring a stripper pole. And the world didn't collapse in on itself. See guys, it's fine.AdvertisementADVERTISEMENT UnbotheredMegchella Showed Us How Rewarding Joy Can Feel After A Healing EraMegan Thee Stallion was thee highlight of Coachella 2025. It was hard not to smile from ear to ear while watching the Grammy-winning rapper make the Indio by Taryn FinleyUnbotheredNo, Doechii Isn’t An “Industry Plant.” The Accusations Are Just P...A few years ago, Doechii was a little-known artist recording music from her bedroom and vlogging her come up on YouTube. Today, those circumstances are almby Carly Lewis-OduntanUnbotheredKendrick Lamar’s Super Bowl Halftime Show Held Up A Mirror ...Last September, the NFL announced one of the most awarded rappers in GRAMMY history, Kendrick Lamar, as 2025’s Super Bowl halftime show headliner andby Alexandra PolkAdvertisementADVERTISEMENTEntertainmentJoJo Is All Grown Up & In Her ‘Favourite Chapter Of Life’In 2004, Joanna “JoJo” Levesque was 13 years old and already making history. Off of her self-titled debut album, her breakout single “Leave (Get Out)by Lia TabackmanUnbotheredIf FLO Don’t Sound British, Blame The Music Industry, Not The BandIn 2022, British R&B group FLO released their debut single, Cardboard Box, quickly becoming a viral sensation. It’s an anthem for anyone who’s by Susan AkyeampongUnbotheredBeyoncé Doesn’t Need The CMAs To Validate Her Genius. Cowboy C...On Monday, the 2024 Country Music Association Awards (CMAs) made it clear that they want nothing to do with Beyoncè. The CMAs completely snubbed Queen Beyby Giana LevyDedicated Feature17 Forever: What Going To Gigs Has Taught Me About LifeFor those last minute live music nights, can’t-miss-it concerts or ‘second chance’ tickets to the biggest tours, viagogo is the one-stop shop for fanby Lucy HarbronUnbotheredIn Rap Feuds, Women Are The Collateral Damage & Drake Vs. Kendric...In the current digital economy, it is increasingly rare for the world to come together over a single event. Despite the increasingly segmented nature of thby Shamira IbrahimEntertainmentCowboy Carter Isn’t Revenge. It’s A Reeducation.In Beyoncé’s Homecoming film, a seminal text for any card-carrying member of the Beyhive, Nina Simone’s voice kicks in at around the 16-minute mark. Iby Kathleen Newman-B...UnbotheredThe Queen’s Gone Country — What We Know About Beyoncé’s Renais...There’s a popular saying that we all have the same 24 hours in a day as Beyoncé, but the way the global phenom works nonstop, that adage can’t be accuby Ineye KomoniboUnbotheredIs It Time Beyoncé & Jay-Z Stopped “Showing Up” To The Grammys?How many times? How many times are we going to do this? Time and time again, The Recording Academy tells us exactly what kind of institution it is. We shouby Kathleen Newman-B...UnbotheredThe Rap Girls Are Fighting (Again) — But Is There Such A Thing As...Another day, another rap beef that has the internet divided. And this time, it’s a battle of the heavyweights in a match-up that’s only beginning: the by Ineye KomoniboAdvertisementADVERTISEMENTADVERTISEMENTADVERTISEMENT Tag » Why Wasnt Pitbull In The Superbowl
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