Modern Art - Wikipedia

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• 1 History Toggle History subsection
  • 1.1 Roots in the 19th century
  • 1.2 Early 20th century
  • 1.3 After World War II
• 2 Art movements and artist groups Toggle Art movements and artist groups subsection
  • 2.1 19th century
  • 2.2 Early 20th century (before World War I)
  • 2.3 World War I to World War II
  • 2.4 After World War II
• 3 Notable modern art exhibitions and museums Toggle Notable modern art exhibitions and museums subsection
  • 3.1 Austria
  • 3.2 Belgium
  • 3.3 Brazil
  • 3.4 Colombia
  • 3.5 Croatia
  • 3.6 Ecuador
  • 3.7 Finland
  • 3.8 France
  • 3.9 Germany
  • 3.10 India
  • 3.11 Iran
  • 3.12 Ireland
  • 3.13 Israel
  • 3.14 Italy
  • 3.15 Mexico
  • 3.16 Netherlands
  • 3.17 Norway
  • 3.18 Poland
  • 3.19 Qatar
  • 3.20 Romania
  • 3.21 Russia
  • 3.22 Serbia
  • 3.23 Spain
  • 3.24 Sweden
  • 3.25 Taiwan
  • 3.26 United Kingdom
  • 3.27 Ukraine
  • 3.28 United States
• 4 See also
• 5 Notes
• 6 References
• 7 Sources
• 8 Further reading
• 9 External links

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Appearance move to sidebar hide From Wikipedia, the free encyclopedia Artistic period from the 1860s–1970s This article is about art produced from the 1860s to the 1970s. For art produced from the 1940s to the present, see contemporary art. Modern artVincent van Gogh, Country Road in Provence by Night,, May 1890, Kröller-Müller MuseumPaul Cézanne, The Large Bathers, 1898–1905

Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era.[1] The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation.[2] Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or Postmodern art.

Modern art begins with the post-impressionist painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec. These artists were essential to modern art's development.[3] At the beginning of the 20th century Henri Matisse and several other young artists including the pre-cubists Georges Braque, André Derain, Raoul Dufy, Jean Metzinger and Maurice de Vlaminck revolutionized the Paris art world with "wild," multi-colored, expressive landscapes and figure paintings that the critics called Fauvism.[4] Matisse's two versions of The Dance signified a key point in his career and the development of modern painting.[5] It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.

At the start of 20th-century Western painting, and initially influenced by Toulouse-Lautrec, Gauguin and other late-19th-century innovators, Pablo Picasso made his first Cubist paintings.[6] Picasso based these works on Cézanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone.[7] Picasso dramatically created a new and radical picture depicting a raw and primitive brothel scene with five prostitutes, violently painted women, reminiscent of African tribal masks and his new Cubist inventions.[8] Between 1905 and 1911 German Expressionism emerged in Dresden and Munich with artists like Ernst Ludwig Kirchner, Wassily Kandinsky, Franz Marc, Paul Klee and August Macke.[9][10] Analytic cubism was jointly developed by Picasso and Georges Braque, exemplified by Violin and Candlestick, Paris, from about 1908 through 1912.[11] Analytic cubism, the first clear manifestation of cubism, was followed by Synthetic cubism, practiced by Braque, Picasso, Fernand Léger, Juan Gris, Albert Gleizes, Marcel Duchamp and several other artists into the 1920s. Synthetic cubism is characterized by the introduction of different textures, surfaces, collage elements, papier collé and a large variety of merged subject matter.[12][13]

The notion of modern art is closely related to Modernism.[a]

History

[edit]

• Georges Seurat, Models (Les Poseuses), 1886–88, Barnes Foundation
• Henri de Toulouse-Lautrec, At the Moulin Rouge: Two Women Waltzing, 1892
• Paul Gauguin, Spirit of the Dead Watching, 1892, Albright-Knox Art Gallery
• The Scream by Edvard Munch, 1893
• Käthe Kollwitz, Woman with Dead Child, 1903 etching
• Pablo Picasso, Family of Saltimbanques, 1905, National Gallery of Art, Washington, DC.
• Jean Metzinger, Paysage coloré aux oiseaux aquatiques, 1907, oil on canvas, 74 × 99 cm, Musée d'Art Moderne de la Ville de Paris
• Marc Chagall, I and the Village, 1911
• Egon Schiele, Klimt in a light Blue Smock, 1913
• Kasimir Malevich, Black Square, 1915
• Marcel Duchamp, Fountain, 1917. Photograph by Alfred Stieglitz
• Hannah Höch, Cut with the Kitchen Knife through the Last Epoch of Weimar Beer-Belly Culture in Germany, 1919, collage of pasted papers, 90×144 cm, Nationalgalerie, Staatliche Museen zu Berlin
• Wassily Kandinsky, On White II, 1923

Roots in the 19th century

[edit]

Although modern sculpture and architecture are reckoned to have emerged at the end of the 19th century, the beginnings of modern painting can be located earlier.[15] Francisco Goya is considered by many as the Father of Modern Painting without being a Modernist himself, a fact of art history that later painters associated with Modernism as a style, acknowledge him as an influence.[16][17][18] The date perhaps most commonly identified as marking the birth of modern art as a movement is 1863,[15] the year that Édouard Manet showed his painting Le déjeuner sur l'herbe in the Salon des Refusés in Paris.[19] Earlier dates have also been proposed, among them 1855 (the year Gustave Courbet exhibited The Artist's Studio) and 1784 (the year Jacques-Louis David completed his painting The Oath of the Horatii).[15] In the words of art historian H. Harvard Arnason: "Each of these dates has significance for the development of modern art, but none categorically marks a completely new beginning .... A gradual metamorphosis took place in the course of a hundred years."[15]

Vincent van Gogh, Courtesan (after Eisen) (1887), Van Gogh MuseumVincent van Gogh, The Blooming Plumtree (after Hiroshige) (1887), Van Gogh MuseumVincent van Gogh, Portrait of Père Tanguy (1887), Musée Rodin

The strands of thought that eventually led to modern art can be traced back to the Enlightenment.[b] The modern art critic Clement Greenberg, for instance, called Immanuel Kant "the first real Modernist" but also drew a distinction: "The Enlightenment criticized from the outside ... Modernism criticizes from the inside."[21] The French Revolution of 1789 uprooted assumptions and institutions that had for centuries been accepted with little question and accustomed the public to vigorous political and social debate.[22] This gave rise to what art historian Ernst Gombrich called a "self-consciousness that made people select the style of their building as one selects the pattern of a wallpaper."[23]

The pioneers of modern art were Romantics, Realists and Impressionists.[24][25][failed verification] By the late 19th century, additional movements which were to be influential in modern art had begun to emerge: Post-Impressionism and Symbolism.

Influences upon these movements were varied: from exposure to Eastern decorative arts, particularly Japanese printmaking, to the coloristic innovations of Turner and Delacroix, to a search for more realism in the depiction of common life, as found in the work of painters such as Jean-François Millet. The advocates of realism stood against the idealism of the tradition-bound academic art that enjoyed public and official favor.[26] The most successful painters of the day worked either through commissions or through large public exhibitions of their work. There were official, government-sponsored painters' unions, while governments regularly held public exhibitions of new fine and decorative arts.

The Impressionists argued that people do not see objects but only the light that they reflect, and therefore painters should paint in natural light (en plein air) rather than in studios and should capture the effects of light in their work.[27] Impressionist artists formed a group, Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs ("Association of Painters, Sculptors, and Engravers") which, despite internal tensions, mounted a series of independent exhibitions.[28] The style was adopted by artists in different nations, in preference to a "national" style. These factors established the view that it was a "movement." These traits—establishment of a working method integral to the art, the establishment of a movement or visible active core of support, and international adoption—would be repeated by artistic movements in the Modern period in art.

Early 20th century

[edit]

• Pablo Picasso, Les Demoiselles d'Avignon, 1907, Museum of Modern Art, New York
• Henri Matisse, The Dance I, 1909, Museum of Modern Art, New York
• Franz Marc, Rehe im Walde (Deer in Woods), 1914, Kunsthalle Karlsruhe

Among the movements that flowered in the first decade of the 20th century were Fauvism, Cubism, Expressionism, and Futurism.

In 1905, a group of four German artists, led by Ernst Ludwig Kirchner, formed Die Brücke (The Bridge) in the city of Dresden.[9] This was arguably the founding organization for the German Expressionist movement, though they did not use the word itself. A few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter (The Blue Rider) in Munich.[10] The name came from Wassily Kandinsky's Der Blaue Reiter painting of 1903. Among their members were Kandinsky, Franz Marc, Paul Klee, and August Macke. However, the term "Expressionism" did not firmly establish itself until 1913.[29]: 274 

Futurism took off in Italy a couple years before World War I with the publication of Filippo Tommaso Marinetti's Futurist Manifesto.[30] Benedetta Cappa Marinetti, wife of Filippo Tommaso Marinetti, created the second wave of the artistic movement started by her husband. "Largely thanks to Benedetta, her husband F.T. Marinetti re orchestrated the shifting ideologies of Futurism to embrace feminine elements of intuition, spirituality, and the mystical forces of the earth."[31] She painted up until his death and spent the rest of her days tending to the spread and growth of this period in Italian art, which celebrated technology, speed, and all things new.[32]

During the years between 1910 and the end of World War I and after the heyday of cubism, several movements emerged in Paris. Giorgio de Chirico moved to Paris in July 1911, where he joined his brother Andrea (the poet and painter known as Alberto Savinio).[33] Through his brother, he met Pierre Laprade, a member of the jury at the Salon d'Automne where he exhibited three of his dreamlike works: Enigma of the Oracle, Enigma of an Afternoon and Self-Portrait. In 1913, he exhibited his work at the Salon des Indépendants and Salon d'Automne, and his work was noticed by Pablo Picasso, Guillaume Apollinaire, and several others. His compelling and mysterious paintings are considered instrumental to the early beginnings of Surrealism. Song of Love (1914) is one of the most famous works by de Chirico and is an early example of the surrealist style, though it was painted ten years before the movement was "founded" by André Breton in 1924. The School of Paris, centered in Montparnasse, flourished between the two world wars.

World War I brought an end to this phase but indicated the beginning of many anti-art movements, such as the in Zürich and Berlin emerging Dada, including the work of Emmy Hennings, Hannah Höch, Hugo Ball and Marcel Duchamp, and of Surrealism.[34] Artist groups like de Stijl and Bauhaus developed new ideas about the interrelation of the arts, architecture, design, and art education.[35]

Modern art was introduced to the United States with the Armory Show in 1913 and through European artists who moved to the U.S. during World War I.[36]

After World War II

[edit]

It was only after World War II, however, that the U.S. became the focal point of new artistic movements.[37] The 1950s and 1960s saw the emergence of Abstract Expressionism, Color field painting, Conceptual artists of Art & Language, Pop art, Op art, Hard-edge painting, Minimal art, Lyrical Abstraction, Fluxus, Happening, video art, Postminimalism, Photorealism and various other movements. In the late 1960s and the 1970s, Land art, performance art, conceptual art, and other new art forms attracted the attention of curators and critics, at the expense of more traditional media.[38] Larger installations and performances became widespread.

By the end of the 1970s, when cultural critics began speaking of "the end of painting" (the title of a provocative essay written in 1981 by Douglas Crimp), new media art had become a category in itself, with a growing number of artists experimenting with technological means such as video art.[39] Painting assumed renewed importance in the 1980s and 1990s, as evidenced by the rise of neo-expressionism and the revival of figurative painting.[40]

Towards the end of the 20th century, many artists and architects started questioning the idea of "the modern" and created typically Postmodern works.[41]

Art movements and artist groups

[edit]

(Roughly chronological with representative artists listed.)

19th century

[edit]

• Romanticism and the Romantic movement – Francisco de Goya, J. M. W. Turner, Eugène Delacroix
• Realism – Gustave Courbet, Camille Corot, Jean-François Millet, Rosa Bonheur
• Pre-Raphaelites – William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti
• Macchiaioli – Giovanni Fattori, Silvestro Lega, Telemaco Signorini
• Impressionism – Frédéric Bazille, Gustave Caillebotte, Mary Cassatt, Edgar Degas, Armand Guillaumin, Édouard Manet, Claude Monet, Berthe Morisot, Pierre-Auguste Renoir, Camille Pissarro, Alfred Sisley
• Post-Impressionism – Georges Seurat, Paul Cézanne, Paul Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec, Henri Rousseau, Henri-Jean Guillaume Martin, Albert Lebourg, Robert Antoine Pinchon
• Pointillism – Georges Seurat, Paul Signac, Maximilien Luce, Henri-Edmond Cross
• Divisionism – Gaetano Previati, Giovanni Segantini, Pellizza da Volpedo
• Symbolism – Gustave Moreau, Odilon Redon, Edvard Munch, James Whistler, James Ensor
• Les Nabis – Pierre Bonnard, Édouard Vuillard, Félix Vallotton, Maurice Denis, Paul Sérusier
• Art Nouveau and variants – Jugendstil, Secession, Modern Style, Modernisme – Aubrey Beardsley, Alphonse Mucha, Gustav Klimt,
• Art Nouveau architecture and design – Antoni Gaudí, Otto Wagner, Wiener Werkstätte, Josef Hoffmann, Adolf Loos, Koloman Moser
• Early Modernist sculptors – Aristide Maillol, Auguste Rodin

Early 20th century (before World War I)

[edit]

• Abstract art – Francis Picabia, Wassily Kandinsky, František Kupka, Robert Delaunay, Sonia Delaunay, Léopold Survage, Piet Mondrian, Kazimir Malevich, Hilma af Klint
• Fauvism – André Derain, Henri Matisse, Maurice de Vlaminck, Georges Braque, Kees van Dongen
• Expressionism and related – Die Brücke, Der Blaue Reiter – Ernst Ludwig Kirchner, Wassily Kandinsky, Franz Marc, Egon Schiele, Oskar Kokoschka, Emil Nolde, Axel Törneman, Karl Schmidt-Rottluff, Max Pechstein
• Cubism – Pablo Picasso, Georges Braque, Jean Metzinger, Albert Gleizes, Fernand Léger, Robert Delaunay, Henri Le Fauconnier, Marcel Duchamp, Jacques Villon, Francis Picabia, Juan Gris
• Futurism – Filippo Tommaso Marinetti, Benedetta Cappa Marinetti, Giacomo Balla, Umberto Boccioni, Carlo Carrà, Gino Severini, Natalia Goncharova, Mikhail Larionov
• Orphism – Robert Delaunay, Sonia Delaunay, František Kupka
• Suprematism – Kazimir Malevich, Alexander Rodchenko, El Lissitzky
• Synchromism – Stanton Macdonald-Wright, Morgan Russell
• Vorticism – Wyndham Lewis
• Sculpture – Constantin Brâncuși, Joseph Csaky, Alexander Archipenko, Raymond Duchamp-Villon, Jacques Lipchitz, Ossip Zadkine, Henri Laurens, Elie Nadelman, Chaim Gross, Chana Orloff, Jacob Epstein, Gustave Miklos, Antoine Bourdelle
• Photography – Pictorialism, Straight photography

World War I to World War II

[edit]

• Dada – Jean Arp, Marcel Duchamp, Max Ernst, Francis Picabia, Kurt Schwitters
• Surrealism – Marc Chagall, René Magritte, Jean Arp, Salvador Dalí, Max Ernst, Giorgio de Chirico, André Masson, Joan Miró
• Expressionism and related: Chaim Soutine, Abraham Mintchine, Isaac Frenkel
• Pittura Metafisica – Giorgio de Chirico, Carlo Carrà, Giorgio Morandi
• De Stijl – Theo van Doesburg, Piet Mondrian
• New Objectivity – Max Beckmann, Otto Dix, George Grosz
• Figurative painting – Henri Matisse, Pierre Bonnard
• American Modernism – Stuart Davis, Arthur G. Dove, Marsden Hartley, Georgia O'Keeffe
• Constructivism – Naum Gabo, Gustav Klutsis, László Moholy-Nagy, El Lissitzky, Kasimir Malevich, Vadim Meller, Alexander Rodchenko, Vladimir Tatlin
• Bauhaus – Wassily Kandinsky, Paul Klee, Josef Albers
• Scottish Colourists – Francis Cadell, Samuel Peploe, Leslie Hunter, John Duncan Fergusson
• Social realism – Grant Wood, Walker Evans, Diego Rivera
• Precisionism – Charles Sheeler, Charles Demuth
• Boychukism – Mykhailo Boychuk, Sofiya Nalepinska-Boychuk, Ivan Padalka, Vasily Sedlyar
• Sculpture – Alexander Calder, Alberto Giacometti, Gaston Lachaise, Henry Moore, Pablo Picasso, Julio Gonzalez

After World War II

[edit]

• Figuratifs – Bernard Buffet, Jean Carzou, Maurice Boitel, Daniel du Janerand, Claude-Max Lochu
• Sculpture – Henry Moore, David Smith, Tony Smith, Alexander Calder, Richard Hunt, Isamu Noguchi,[42] Alberto Giacometti, Sir Anthony Caro, Jean Dubuffet, Isaac Witkin, René Iché, Marino Marini, Louise Nevelson, Albert Vrana
• Abstract expressionism – Joan Mitchell, Willem de Kooning, Jackson Pollock, Arshile Gorky, Hans Hofmann, Franz Kline, Robert Motherwell, Clyfford Still, Lee Krasner,
• American Abstract Artists – Ilya Bolotowsky, Ibram Lassaw, Ad Reinhardt, Josef Albers, Burgoyne Diller
• Art Brut – Adolf Wölfli, August Natterer, Ferdinand Cheval, Madge Gill
• Arte Povera – Jannis Kounellis, Luciano Fabro, Mario Merz, Piero Manzoni, Alighiero Boetti
• Color field painting – Barnett Newman, Mark Rothko, Adolph Gottlieb, Sam Francis, Morris Louis, Kenneth Noland, Jules Olitski, Helen Frankenthaler
• Tachisme – Jean Dubuffet, Pierre Soulages, Hans Hartung, Ludwig Merwart
• COBRA – Pierre Alechinsky, Karel Appel, Asger Jorn
• Conceptual art – Art & Language, Dan Graham, Lawrence Weiner, Bruce Nauman, Daniel Buren, Victor Burgin, Sol LeWitt
• De-collage – Wolf Vostell, Mimmo Rotella
• Neo-Dada – Robert Rauschenberg, Jasper Johns, John Chamberlain, Joseph Beuys, Lee Bontecou, Edward Kienholz
• Figurative Expressionism – Larry Rivers, Grace Hartigan, Elaine de Kooning, Robert De Niro, Sr., Lester Johnson, George McNeil, Earle M. Pilgrim, Jan Müller, Robert Beauchamp, Bob Thompson
• Feminist Art — Eva Hesse, Judy Chicago, Barbara Kruger, Mary Beth Edelson, Ewa Partum, Valie Export, Yoko Ono, Louise Bourgeois, Cindy Sherman, Kiki Smith, Guerrilla Girls, Hannah Wilke
• Fluxus – George Maciunas, Joseph Beuys, Wolf Vostell, Nam June Paik, Daniel Spoerri, Dieter Roth, Carolee Schneeman, Alison Knowles, Charlotte Moorman, Dick Higgins
• Happening – Allan Kaprow, Joseph Beuys, Wolf Vostell, Claes Oldenburg, Jim Dine, Red Grooms, Nam June Paik, Charlotte Moorman, Robert Whitman, Yoko Ono
• Dau-al-Set – founded in Barcelona by poet/artist Joan Brossa, – Antoni Tàpies
• Grupo El Paso [es; ca; pl] – founded in Madrid by artists Antonio Saura, Pablo Serrano
• Geometric abstraction – Wassily Kandinsky, Kazimir Malevich, Nadir Afonso, Manlio Rho, Mario Radice, Mino Argento, Adam Szentpétery
• Hard-edge painting – John McLaughlin, Ellsworth Kelly, Frank Stella, Al Held, Ronald Davis
• Kinetic art – George Rickey, Getulio Alviani
• Land art – Ana Mendieta, Christo, Richard Long, Robert Smithson, Michael Heizer
• Les Automatistes – Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Marcelle Ferron
• Minimal art – Sol LeWitt, Donald Judd, Dan Flavin, Richard Serra, Agnes Martin
• Postminimalism – Eva Hesse, Bruce Nauman, Lynda Benglis
• Lyrical abstraction – Ronnie Landfield, Sam Gilliam, Larry Zox, Dan Christensen, Natvar Bhavsar, Larry Poons
• Neo-figurative art – Fernando Botero, Antonio Berni
• Neo-expressionism – Georg Baselitz, Anselm Kiefer, Jörg Immendorff, Jean-Michel Basquiat
• Transavanguardia – Francesco Clemente, Mimmo Paladino, Sandro Chia, Enzo Cucchi
• Figuration libre – Hervé Di Rosa, François Boisrond, Robert Combas
• New realism – Yves Klein, Pierre Restany, Arman
• Op art – Victor Vasarely, Bridget Riley, Richard Anuszkiewicz, Jeffrey Steele
• Outsider art – Howard Finster, Grandma Moses, Bob Justin
• Photorealism – Audrey Flack, Chuck Close, Duane Hanson, Richard Estes, Malcolm Morley
• Pop art – Richard Hamilton, Robert Indiana, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol, Ed Ruscha, David Hockney
• Postwar European figurative painting – Lucian Freud, Francis Bacon, Frank Auerbach, Gerhard Richter
• New European Painting – Luc Tuymans, Marlene Dumas, Neo Rauch, Bracha Ettinger, Michaël Borremans, Chris Ofili
• Shaped canvas – Frank Stella, Kenneth Noland, Ron Davis, Robert Mangold.
• Soviet art – Aleksandr Deyneka, Aleksandr Gerasimov, Ilya Kabakov, Komar & Melamid, Alexandr Zhdanov, Leonid Sokov
• Spatialism – Lucio Fontana
• Video art – Nam June Paik, Wolf Vostell, Joseph Beuys, Bill Viola, Hans Breder
• Visionary art – Ernst Fuchs, Paul Laffoley, Michael Bowen

Notable modern art exhibitions and museums

[edit] For a comprehensive list, see Museums of modern art.

Austria

[edit]

• Leopold Museum, Vienna

Belgium

[edit]

• SMAK, Ghent

Brazil

[edit]

• MASP, São Paulo, SP
• MAM/SP, São Paulo, SP
• MAM/RJ, Rio de Janeiro, RJ
• MAM/BA, Salvador, Bahia

Colombia

[edit]

• Bogotá Museum of Modern Art (MAMBO)

Croatia

[edit]

• Ivan Meštrović Gallery, Split
• Modern Gallery, Zagreb
• Museum of Contemporary Art, Zagreb

Ecuador

[edit]

• Museo Antropologico y de Arte Contemporaneo, Guayaquil
• La Capilla del Hombre, Quito

Finland

[edit]

• EMMA, Espoo
• Kiasma, Helsinki

France

[edit]

• Château de Montsoreau-Museum of Contemporary Art, Montsoreau
• Lille Métropole Museum of Modern, Contemporary and Outsider Art, Villeneuve d'Ascq
• Musée d'Orsay, Paris
• Musée d'Art Moderne de la Ville de Paris, Paris
• Musée National d'Art Moderne, Paris
• Musée Picasso, Paris
• Museum of Modern and Contemporary Art, Strasbourg
• Musée d'art moderne de Troyes

Germany

[edit]

• Berggruen Museum, Berlin
• Degenerate Art exhibition, a touring exhibition of modern art held in Nazi Germany to condemn modern art
• documenta, Kassel, an exhibition of modern and contemporary art held every 5 years
• Museum Ludwig, Cologne
• Pinakothek der Moderne, Munich

India

[edit]

• National Gallery of Modern Art, New Delhi
• National Gallery of Modern Art, Mumbai
• National Gallery of Modern Art, Bangalore

Iran

[edit]

• Museum of Contemporary Art, Tehran

Ireland

[edit]

• Hugh Lane Gallery, Dublin
• Irish Museum of Modern Art, Dublin

Israel

[edit]

• Tel Aviv Museum of Art

Italy

[edit]

• Palazzo delle Esposizioni
• Galleria Nazionale d'Arte Moderna
• Venice Biennial, Venice
• Palazzo Pitti, Florence
• Museo del Novecento, Milan

Mexico

[edit]

• Museo de Arte Moderno, México D.F.

Netherlands

[edit]

• Van Gogh Museum, Amsterdam
• Stedelijk Museum, Amsterdam

Norway

[edit]

• Astrup Fearnley Museum of Modern Art, Oslo
• Henie-Onstad Art Centre, Oslo

Poland

[edit]

• Museum of Art, Łódź
• National Museum, Kraków

Qatar

[edit]

• Mathaf: Arab Museum of Modern Art, Doha

Romania

[edit]

• National Museum of Contemporary Art, Bucharest

Russia

[edit]

• Hermitage Museum, Saint Petersburg
• Pushkin Museum, Moscow
• Tretyakov Gallery, Moscow

Serbia

[edit]

• Museum of Contemporary Art, Belgrade

Spain

[edit]

• Museu d'Art Contemporani de Barcelona, Barcelona
• Museo Nacional Centro de Arte Reina Sofía, Madrid
• Thyssen-Bornemisza Museum, Madrid
• Institut Valencià d'Art Modern, Valencia
• Atlantic Center of Modern Art, Las Palmas de Gran Canaria
• Museu Picasso, Barcelona.
• Museo Picasso Málaga, Málaga.

Sweden

[edit]

• Moderna Museet, Stockholm

Taiwan

[edit]

• Asia Museum of Modern Art, Taichung

United Kingdom

[edit]

• Estorick Collection of Modern Italian Art, London
• Saatchi Gallery, London
• Tate Britain, London
• Tate Liverpool
• Tate Modern, London
• Tate St Ives

Ukraine

[edit]

• National Art Museum of Ukraine, Kyiv
• Andrey Sheptytsky National Museum of Lviv, Lviv

United States

[edit]

• Albright-Knox Art Gallery, Buffalo, New York
• Art Institute of Chicago, Chicago, Illinois
• Governor Nelson A. Rockefeller Empire State Plaza Art Collection, Albany, New York
• Guggenheim Museum, New York City, New York, and Venice, Italy; more recently in Berlin, Germany, Bilbao, Spain, and Las Vegas, Nevada
• High Museum, Atlanta, Georgia
• Los Angeles County Museum of Art, Los Angeles, California
• McNay Art Museum, San Antonio, Texas
• Menil Collection, Houston, Texas
• Museum of Fine Arts, Boston, Massachusetts
• Museum of Modern Art, New York City, New York
• San Francisco Museum of Modern Art, San Francisco, California
• The Baker Museum, Naples, Florida
• Walker Art Center, Minneapolis, Minnesota
• Whitney Museum of American Art, New York City, New York

See also

[edit]

• 20th-century art
• Art manifesto
• Gesamtkunstwerk
• History of painting
• List of 20th-century women artists
• List of modern artists
• Modern architecture
• Periods in Western art history
• Western painting

Notes

[edit]

1. ^ "One way of understanding the relation of the terms 'modern,' 'modernity,' and 'Modernism' is that aesthetic modernism is a form of art characteristic of high or actualized late modernity, that is, of that period in which social, economic, and cultural life in the widest sense [was] revolutionized by modernity ... [this means] that Modernist art is scarcely thinkable outside the context of the modernized society of the late nineteenth and twentieth centuries. Social modernity is the home of Modernist art, even where that art rebels against it." — Lawrence E. Cahoone[14]
2. ^ "In the seventeenth and eighteenth centuries momentum began to gather behind a new view of the world, which would eventually create a new world, the modern world." — Lawrence E. Cahoone[20]

References

[edit]

1. ^ Atkins 1997, pp. 118–119.
2. ^ Gombrich 1995, p. 557.
3. ^ "Post-Impressionism | MoMA". The Museum of Modern Art. Retrieved 2025-01-06.
4. ^ Rewald, Authors: Sabine (October 2004). "Fauvism | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History". The Met’s Heilbrunn Timeline of Art History. Retrieved 2025-01-06.
5. ^ Clement 1996, p. 114.
6. ^ Fraser, Jennifer Lorraine. "Part 3. Genesis of Modernism". Origins of Contemporary Art, Design, and Interiors. PressBooks – via Open Library.
7. ^ Reff, Theodore (1977-10-01). "Cézanne on Solids and Spaces". Artforum. Retrieved 2025-01-06.
8. ^ Wolfe, Shira (2021-10-21). "Les Demoiselles d'Avignon: Analysis of Picasso's Iconic Painting". Artland Magazine. Retrieved 2025-01-06.
9. ^ a b "Die Brücke (The Bridge)". The Museum of Modern Art. Retrieved 2025-01-06.
10. ^ a b "Shows That Made Contemporary Art History". Artland Magazine. 2020-09-04. Retrieved 2025-01-06.
11. ^ Rewald, Authors: Sabine (October 2004). "Cubism | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History". The Met’s Heilbrunn Timeline of Art History. Retrieved 2025-01-06.
12. ^ Scobie 1988, pp. 103–107.
13. ^ John-Steiner 2006, p. 69.
14. ^ Cahoone 1996, p. 13.
15. ^ a b c d Arnason & Prather 1998, p. 17.
16. ^ Lubow, Arthur (2003-07-27). "The Secret of the Black Paintings". The New York Times. ISSN 0362-4331. Retrieved 2024-04-28.
17. ^ Danto, Arthur C. (2004-03-01). "Francisco de Goya". Artforum. Retrieved 2024-04-28.
18. ^ "The unflinching eye". The Guardian. 2003-10-04. ISSN 0261-3077. Retrieved 2024-04-28.
19. ^ Cohen, Alina (2019-03-21). "Why Manet's Masterpiece Has Confounded Historians for over a Century". Artsy. Retrieved 2025-01-06.
20. ^ Cahoone 1996, p. 27.
21. ^ Greenberg 1982, p. 5.
22. ^ "what is Contemporary art – a definition". www.contemporary-art.com. Retrieved 2025-01-06.
23. ^ Gombrich 1995, p. 477.
24. ^ Team, The Prinseps (February 11, 2019). "Modernism in Art, Origins and Key Figures". Prinseps.
25. ^ Arnason & Prather 1998, p. 22.
26. ^ Corinth et al. 1996, p. 25.
27. ^ Cogniat 1975, p. 61.
28. ^ Cogniat 1975, pp. 43–49.
29. ^ Cite error: The named reference Sheppard was invoked but never defined (see the help page).
30. ^ "Khan Academy". www.khanacademy.org. Retrieved 2025-01-06.
31. ^ Conaty, Siobhan M. (2009). "Benedetta Cappa Marinetti and the Second Phase of Futurism". Woman's Art Journal. 30 (1): 19–28. JSTOR i40026522.
32. ^ "Benedetta Cappa Marinetti". Google Arts & Culture. Retrieved 2025-01-06.
33. ^ James, Thrall Soby (1955). Giorgio de Chirico (PDF). New York: Simon and Schuste.
34. ^ "Dada, Surrealism, and Their Heritage" (PDF). The Museum of Modern Art. March 27, 1968.
35. ^ Bayer, Herbert (1938). Bauhaus, 1919–1928 (PDF). New York: The Museum of Modern Art: Distributed by New York Graphic Society. ISBN 0870702408. {{cite book}}: ISBN / Date incompatibility (help)CS1 maint: publisher location (link)
36. ^ Martinez, Andrew (1933). "A Mixed Reception for Modernism: The 1913 Armory Show at the Art Institute of Chicago". One Hundred Years at the Art Institute: A Centennial Celebration (PDF). Vol. 19. Art Institute of Chicago Museum. pp. 30–57+102–105.
37. ^ Saunders 2013.
38. ^ Mullins 2006, p. 14.
39. ^ Mullins 2006, p. 9.
40. ^ Mullins 2006, pp. 14–15.
41. ^ Jencks 1987, p. [page needed].
42. ^ Lander 2006.

Sources

[edit]

• Arnason, H. Harvard; Prather, Marla (1998). History of modern art: painting, sculpture, architecture, photography (4th ed.). New York: Harry N. Abrams, Inc. ISBN 978-0-8109-3439-9. OCLC 1035593323 – via Internet Archive.
• Atkins, Robert (1997). Artspeak: A Guide to Contemporary Ideas, Movements, and Buzzwords (2nd ed.). New York: Abbeville Press Publishers. ISBN 978-0-7892-0415-8. OCLC 605278894 – via Internet Archive.
• Cahoone, Lawrence (1996). From Modernism to Postmodernism: An Anthology. Cambridge, MA: Blackwell Publishers. ISBN 978-1-55786-602-8. OCLC 1149327777 – via Internet Archive.
• "CIMA Art Gallery". Times of India Travel. 2015-06-30. Retrieved 2021-06-12.
• Clement, Russell (1996). Four French Symbolists: A Sourcebook on Pierre Puvis de Chavannes, Gustave Moreau, Odilon Redon, and Maurice Denis. Westport, CN: Greenwood Press. ISBN 978-0-313-29752-6. OCLC 34191505.
• Cogniat, Raymond (1975). Pissarro. New York: Crown Publishers. ISBN 978-0-517-52477-0. OCLC 2082821.
• Corinth, Lovis; Schuster, Peter-Klaus; Vitali, Christoph; Butts, Barbara; Brauner, Lothar; Bärnreuther, Andrea (1996). Lovis Corinth. Munich; New York: Prestel. ISBN 978-3-7913-1682-6. OCLC 35280519.
• Greenberg, Clement (1982). "Modernist Painting". In Frascina, Francis; Harrison, Charles; Paul, Deirdre (eds.). Modern Art and Modernism: A Critical Anthology. In association with the Open University. London: Harper & Row. ISBN 978-0-06-318234-9. OCLC 297414909 – via Internet Archive.
• Gombrich, Ernst H. (1995). The Story of Art. London: Phaidon Press Limited. ISBN 978-0-7148-3355-2. OCLC 1151352542 – via Internet Archive.
• Jencks, Charles (1987). Post-Modernism: The New Classicism in Art and Architecture. New York: Rizzoli. ISBN 978-0-8478-0835-9. OCLC 1150952960 – via Inernet Archive.
• John-Steiner, Vera (2006). "Patterns of Collaboration among Artists". Creative Collaboration. Oxford University Press. pp. 63–96. doi:10.1093/acprof:oso/9780195307702.003.0004. ISBN 978-0-19-530770-2. OCLC 5105130725, 252638637.
• Lander, David (November–December 2006). "Fifties Furniture – The Side Tav\ble as Sculpture". Shopping. American Heritage. 57 (6). American Association for State and Local History. ISSN 2161-8496. OCLC 60622066. Archived from the original on 2007-10-20.
• Mullins, Charlotte (2006). Painting people: figure painting today. New York: D.A.P./Distributed Art Pubs. ISBN 978-1-933045-38-2. OCLC 71679906.
• Saunders, Frances Stonor (2013-06-14) [1995-10-22]. "Modern art was CIA 'weapon'". The Independent. Archived from the original on 2022-05-15. Retrieved 2021-04-17.
• Scobie, Stephen (1988). "The Allure of Multiplicity: Metaphor and Metonymy in Cubism and Gertrude Stein". In Neuman, S. C.; Nadel, Ira Bruce (eds.). Gertrude Stein and the Making of Literature. London: Palgrave Macmillan. doi:10.1007/978-1-349-08541-5_7. ISBN 978-1-349-08543-9. OCLC 7323640453 – via Internet Archive.

Further reading

[edit]

• Cole, Ina, From the Sculptor’s Studio: Conversations with Twenty Seminal Artists (London: Laurence King Publishing Ltd, 2021) ISBN 9781913947590 OCLC 1420954826.
• Adams, Hugh (1979). Modern Painting. New York: Mayflower Books. ISBN 978-0-8317-6062-5. OCLC 691113035 – via Internet Archive.
• Childs, Peter (2000). Modernism. London New York: Routledge. ISBN 978-0-203-13116-9. OCLC 48138104 – via Internet Archive.
• Crouch, Christopher (1999). Modernism in Art, Design and Architecture. New York: St. Martin's Press. ISBN 978-0-312-21830-0. OCLC 1036752206 – via Internet Archive.
• Dempsey, Amy (2002). Art in the Modern Era: A Guide to Schools and Movements. New York: Harry N. Abrams. ISBN 978-0-8109-4172-4. OCLC 47623954.
• Everdell, William (1997). The First Moderns: Profiles in the Origins of Twentieth-Century Thought. Chicago: University of Chicago Press. ISBN 978-0-226-22484-8. OCLC 45733213 – via Internet Archive.See also: The First Moderns.
• Frazier, Nancy (2000). The Penguin Concise Dictionary of Art History. New York: Penguin Reference. ISBN 978-0-14-051420-9. OCLC 70498418.
• Hunter, Sam; Jacobus, John M; Wheeler, Daniel (2005). Modern Art: painting, sculpture, architecture, photography (3rd ed.). Upper Saddle River, NJ: Prentice Hall. ISBN 978-0-13-150519-3. OCLC 1114759321.
• Kolocotroni, Vassiliki; Goldman, Jane; Taxidou, Olga, eds. (1998). Modernism: An Anthology of Sources and Documents. Edinburgh; Chicago: Edinburgh University Press; The University of Chicago Press. ISBN 978-0-585-19313-7. OCLC 1150833644, 44964346 – via Internet Archive.
• Lynton, Norbert (1980). The Story of Modern Art. Ithaca: Cornell University Press. ISBN 9780801413513.
• Ozenfant, Amédée; Rodker, John (1952). Foundations of Modern Art. New York: Dover. ISBN 9780486202150. OCLC 1200478998. Retrieved 2021-04-19 – via Internet Archive. {{cite book}}: ISBN / Date incompatibility (help)
• Read, Herbert Edward; Read, Benedict; Tisdall, Caroline; Feaver, William (1975). A Concise History of Modern Painting. New York: Praeger Publishers. ISBN 978-0-275-71730-8. OCLC 741987800, 894774214, 563965849 – via Internet Archive.

External links

[edit] Wikimedia Commons has media related to Modern art. Wikiquote has quotations related to Modern art.

• Tate Modern
• The Museum of Modern Art
• Modern artists and art
• A TIME Archives Collection of Modern Art's perception (archived 2 September 2010)
• National Gallery of Modern Art – Govt. of India

v t e Modernism
Movements	Acmeism Art Deco Art Nouveau Ashcan School Constructivism Cubism Dada Expressionism Der Blaue Reiter Die Brücke Music Fauvism Functionalism Bauhaus Futurism Imagism Lettrism Neoplasticism De Stijl Orphism Surrealism Symbolism Synchromism Tonalism
Literary arts	Literature Apollinaire Barnes Beckett Bely Breton Broch Bulgakov Chekhov Conrad Döblin Forster Faulkner Flaubert Ford Gide Hamsun Hašek Hemingway Hesse Joyce Kafka Koestler Lawrence Mann Mansfield Marinetti Musil Dos Passos Platonov Porter Proust Stein Svevo Unamuno Woolf Poetry Akhmatova Aldington Auden Cendrars Crane H.D. Desnos Eliot Éluard Elytis George Jacob Lorca Lowell (Amy) Lowell (Robert) Mallarmé Moore Owen Pessoa Pound Rilke Seferis Stevens Thomas Tzara Valéry Williams Yeats Works In Search of Lost Time (1913–1927) The Metamorphosis (1915) Ulysses (1922) The Waste Land (1922) The Magic Mountain (1924) Mrs Dalloway (1925) The Sun Also Rises (1926) The Master and Margarita (1928–1940) The Sound and the Fury (1929)
Visual arts	Painting Albers Arp Balthus Bellows Boccioni Bonnard Brâncuși Braque Calder Cassatt Cézanne Chagall Chirico Claudel Dalí Degas Delaunay Delaunay Demuth Dix Doesburg Duchamp Dufy Ensor Ernst Gauguin Giacometti Goncharova Gris Grosz Höch Hopper Kahlo Kandinsky Kirchner Klee Kokoschka Kooning Lawrence Léger Magritte Malevich Manet Marc Matisse Metzinger Miró Modigliani Mondrian Monet Moore Munch Nolde O'Keeffe Picabia Picasso Pissarro Ray Redon Renoir Rodin Rousseau Schiele Seurat Signac Sisley Soutine Steichen Stieglitz Toulouse-Lautrec Van Gogh Vuillard Wood Film Akerman Aldrich Antonioni Avery Bergman Bresson Buñuel Carné Cassavetes Chaplin Clair Cocteau Dassin Deren Dovzhenko Dreyer Edwards Eisenstein Epstein Fassbinder Fellini Flaherty Ford Fuller Gance Godard Hitchcock Hubley Jones Keaton Kubrick Kuleshov Kurosawa Lang Losey Lupino Lye Marker Minnelli Murnau Ozu Pabst Pudovkin Ray (Nicholas) Ray (Satyajit) Resnais Renoir Richardson Rossellini Sirk Sjöström Sternberg Tarkovsky Tati Trnka Truffaut Varda Vertov Vigo Welles Wiene Wood Architecture Breuer Bunshaft Gaudí Gropius Guimard Horta Hundertwasser Johnson Kahn Le Corbusier Loos Melnikov Mendelsohn Mies Nervi Neutra Niemeyer Rietveld Saarinen Steiner Sullivan Tatlin Wright Works A Sunday Afternoon on the Island of La Grande Jatte (1886) Mont Sainte-Victoir (1887) The Starry Night (1889) Les Demoiselles d'Avignon (1907) The Dance (1909–1910) Nude Descending a Staircase, No. 2 (1912) Black Square (1915) The Cabinet of Dr. Caligari (1920) Ballet Mécanique (1923) Battleship Potemkin (1925) Metropolis (1927) Un Chien Andalou (1929) Villa Savoye (1931) Fallingwater (1936) Citizen Kane (1941) Meshes of the Afternoon (1943)
Performingarts	Music Antheil Bartók Berg Berio Boulanger Boulez Copland Debussy Dutilleux Falla Feldman Górecki Hindemith Honegger Ives Janáček Ligeti Lutosławski Milhaud Nono Partch Russolo Satie Schaeffer Schoenberg Scriabin Stockhausen Strauss Stravinsky Szymanowski Varèse Villa-Lobos Webern Weill Theatre Anderson Anouilh Artaud Beckett Brecht Chekhov Ibsen Jarry Kaiser Maeterlinck Mayakovsky O'Casey O'Neill Osborne Pirandello Piscator Strindberg Toller Wedekind Wilder Witkiewicz Dance Balanchine Cunningham Diaghilev Duncan Fokine Fuller Graham Holm Laban Massine Nijinsky Shawn Sokolow St. Denis Tamiris Wiesenthal Wigman Works Don Juan (1888) Ubu Roi (1896) Verklärte Nacht (1899) Pelléas et Mélisande (1902) Salome (1905) The Firebird (1910) Afternoon of a Faun (1912) The Rite of Spring (1913) Fountain (1917) Six Characters in Search of an Author (1921) The Threepenny Opera (1928) Waiting for Godot (1953)
Related	American modernism Armory Show Avant-garde Ballets Russes Bloomsbury Group Buddhist modernism Classical Hollywood cinema Degenerate art Ecomodernism Experimental film Film noir Fin de siècle Fourth dimension in art Fourth dimension in literature Grosvenor School of Modern Art Hanshinkan Modernism High modernism Hippie modernism Impressionism Music Literature Post- Incoherents International Style Late modernism Late modernity List of art movements List of avant-garde artists List of modernist poets Maximalism Metamodernism Modernity Neo-primitivism Neo-romanticism New Hollywood New Objectivity Poetic realism Pop Art Pulp noir Reactionary modernism Remodernism Second Viennese School Structural film Underground film Vulgar modernism
← Romanticism Postmodernism → Category

v t e Premodern, Modern and Contemporary art movements
List of art movements/periods
Premodern(Western)	Ancient Thracian Dacian Nuragic Aegean Cycladic Minoan Minyan ware Mycenaean Greek Sub-Mycenaean Protogeometric Geometric Orientalizing Archaic Black-figure Red-figure Severe style Classical Kerch style Hellenistic "Baroque" Indo-Greek Greco-Buddhist Neo-Attic Etruscan Scythian Iberian Gaulish Roman Republican Gallo-Roman Julio-Claudian Pompeian Styles Trajanic Severan Medieval Late antique Early Christian Coptic Ethiopian Migration Period Anglo-Saxon Hunnic Insular Lombard Visigothic Donor portrait Pictish Mozarabic Repoblación Viking Byzantine Iconoclast Macedonian Palaeologan Italo-Byzantine Frankish Merovingian Carolingian Pre-Romanesque Ottonian Romanesque Mosan Spanish Norman Norman-Sicilian Opus Anglicanum Gothic Gothic art in Milan International Gothic International Gothic art in Italy Lucchese school Crusades Moscow school Novgorod school Vladimir-Suzdal school Duecento Sienese school Mudéjar Medieval cartography Italian school Majorcan school Mappa mundi Renaissance Italian Renaissance Trecento Proto-Renaissance Florentine school Pittura infamante Quattrocento Ferrarese school Forlivese school Venetian school Cinquecento High Renaissance Bolognese school Mannerism Counter-Maniera Northern Renaissance Early Netherlandish World landscape Ghent–Bruges school Northern Mannerism German Renaissance Cologne school Danube school Dutch and Flemish Renaissance Antwerp Mannerism Romanism Still life English Renaissance Tudor court Cretan school Turquerie Fontainebleau school Art of the late 16th century in Milan 17th century Baroque Baroque in Milan Flemish Baroque Caravaggisti in Utrecht Tenebrism Louis XIII style Lutheran Baroque Stroganov school Animal painting Guild of Romanists Dutch Golden Age Delft school Capriccio Heptanese school Classicism Louis XIV style Poussinists and Rubenists 18th century Rococo Rocaille Louis XV style Frederician Chinoiserie Fête galante Neoclassicism Goût grec Louis XVI style Adam style Directoire style Neoclassical architecture in Milan Picturesque Colonial art Art of the African diaspora African-American Caribbean Haitian Colonial Asian art Arts in the Philippines Letras y figuras Tipos del País Colonial Asian Baroque Company style Latin American art Casta painting Indochristian art Chilote school Cuzco school Quito school Latin American Baroque Art borrowingWestern elements Islamic Moorish Manichaean Mughal Qajar Qing handicrafts Western influence in Japan Akita ranga Uki-e Transitionto modern(c. 1770 – 1862) Romanticism Fairy painting Danish Golden Age Troubadour style Nazarene movement Purismo Shoreham Ancients Düsseldorf school Pre-Raphaelites Hudson River School American luminism Orientalism Norwich school Empire style Historicism Revivalism Biedermeier Realism Barbizon school Costumbrismo Verismo Macchiaioli Academic art Munich school in Greece Neo-Grec Etching revival
Modern(1863–1944)	1863–1899 Neo-romanticism National romanticism Yōga Nihonga Japonisme Anglo-Japanese style Beuron school Hague school Peredvizhniki Impressionism American Hoosier Group Boston school Amsterdam Canadian Heidelberg school Aestheticism Arts and Crafts Art pottery Tonalism Decadent movement Symbolism Romanian Russian Volcano school Incoherents Post-Impressionism Neo-Impressionism Luminism Divisionism Pointillism Pont-Aven School Cloisonnism Synthetism Les Nabis American Barbizon school California tonalism Wilhelminism Costumbrismo 1900–1914 Art Nouveau Art Nouveau in Milan Primitivism California Impressionism Secessionism School of Paris Munich Secession Vienna Secession Berlin Secession Sonderbund Pennsylvania Impressionism Mir iskusstva Ten American Painters Fauvism Expressionism Die Brücke Der Blaue Reiter Noucentisme Deutscher Werkbund American Realism Ashcan school Cubism Proto-Cubism Orphism A Nyolcak Neue Künstlervereinigung München Futurism Cubo-Futurism Art Deco Metaphysical Rayonism Productivism Synchromism Vorticism 1915–1944 Sosaku-hanga Suprematism School of Paris Crystal Cubism Constructivism Latin American Universal Constructivism Dada Shin-hanga Neoplasticism De Stijl Purism Return to order Novecento Italiano Figurative Constructivism Stupid Cologne Progressives Arbeitsrat für Kunst November Group Australian tonalism Dresden Secession Social realism Functionalism Bauhaus Kinetic art Anthropophagy Mingei Group of Seven New Objectivity Grosvenor school Neues Sehen Surrealism Iranian Latin American Mexican muralism Neo-Fauvism Precisionism Aeropittura Asso Scuola Romana Cercle et Carré The Group Harlem Renaissance Kapists Regionalism California Scene Painting Heroic realism Socialist realism Nazi art Streamline Moderne Concrete art Abstraction-Création Tiki The Ten Dimensionism Boston Expressionism Leningrad school
Contemporaryand Postmodern(1945–present)	1945–1959 International Typographic Style Abstract expressionism Washington Color School Visionary art Vienna School of Fantastic Realism Spatialism Color field Lyrical abstraction Tachisme Arte Informale COBRA Nuagisme Generación de la Ruptura Jikken Kōbō Metcalf Chateau Mono-ha Nanyang Style Action painting American Figurative Expressionism in New York New media art New York school Hard-edge painting Bay Area Figurative Movement Les Plasticiens Gutai Art Association Gendai Bijutsu Kondankai Pop art Situationist International Soviet Nonconformist Ukrainian underground Lettrism Letterist International Ultra-Lettrist Florida Highwaymen Cybernetic art Antipodeans 1960–1969 Otra Figuración Afrofuturism Nueva Presencia ZERO Happening Neo-Dada Neo-Dada Organizers Op art Nouveau réalisme Nouvelle tendance Capitalist realism Art & Language Arte Povera Black Arts Movement The Caribbean Artists Movement Chicano art movement Conceptual art Land art Systems art Video art Minimalism Fluxus Generative art Post-painterly abstraction Intermedia Psychedelic art Nut Art Photorealism Environmental art Performance art Process art Institutional critique Light and Space Street art Feminist art movement in the US Saqqakhaneh movement The Stars Art Group Tropicália Yoru no Kai Artificial intelligence visual art 1970–1999 Post-conceptual art Installation art Artscene Postminimalism Endurance art Sots Art Moscow Conceptualists Pattern and Decoration Pliontanism Punk art Neo-expressionism Transavantgarde Saint Soleil school Guerrilla art Lowbrow art Telematic art Appropriation art Neo-conceptual art New European Painting Tunisian collaborative painting Memphis Group Cyberdelic Neue Slowenische Kunst Scratch video Transgressive Retrofuturism Young British Artists Superfiction Taring Padi Superflat New Leipzig school Artist-run initiative Artivism The Designers Republic Grunge design Verdadism Chinese Apartment Art 2000–present Amazonian pop art Altermodern Art for art Art game Art intervention Brandalism Classical Realism Contemporary African art Africanfuturism Contemporary Indigenous Australian art Crypto art Cyborg art Excessivism Fictive art Flat design Corporate Memphis Hypermodernism Hyperrealism Idea art Internet art Post-Internet iPhone art Kitsch movement Lightpainting Massurrealism Modern European ink painting Neo-futurism Neomodern Neosymbolism Passionism Post-YBAs Relational art Skeuomorphism Software art Sound art Stuckism Superflat SoFlo Superflat Superstroke Toyism Vaporwave Walking Artists Network
Related topics	History of art Abstract art Asemic writing Anti-art Avant-garde Ballets Russes Christian art Art in the Protestant Reformation and Counter-Reformation Catholic art Icon Lutheran art Digital art Fantastic art Folk art Hierarchy of genres Genre painting History painting Illuminated manuscript Illustration Interactive art Jewish art Kitsch Landscape painting Modernism Modern sculpture Late modernism Naïve art Outsider art Portrait Prehistoric European art Queer art Realism Shock art Trompe-l'œil Western painting
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