Playing The Blame Game: An Analysis Of Pentheus' Downfall
Maybe your like
- Log In
- Sign Up
- more
- About
- Press
- Papers
- Terms
- Privacy
- Copyright
- We're Hiring!
- Help Center
- less
Outline
keyboard_arrow_downTitleAbstractAll TopicsHistoryAncient HistoryDownload Free PDF
Download Free PDFPlaying the Blame Game: An Analysis of Pentheus' downfall
Justin Borrowvisibility…
description6 pages
descriptionSee full PDFdownloadDownload PDF bookmarkSave to LibraryshareSharecloseSign up for access to the world's latest research
Sign up for freearrow_forwardcheckGet notified about relevant paperscheckSave papers to use in your researchcheckJoin the discussion with peerscheckTrack your impactAbstract
Who was to blame for Pentheus' downfall in Euripides' The Bacchae? Was it Dionysus? Was it his mother Agave? Or, was it Pentheus' hubris that led to his ultimate demise? This paper analysis each character's part in Pentheus' downfall and deciphers who should shoulder the blame.
... Read moreRelated papers
An Introductory Note to EuripidesDaniel FrezzadownloadDownload free PDFView PDFchevron_rightRecognizing Dionysos: The Second Messenger Speech in Euripides' 'BacchaeLeona MacLeod2008
This article examines the second messenger narrative in Bacchae, in particular the four occurrences of oratio recta and their relationship to the broader dramatic action. Such a treatment demonstrates that we have Pentheus fully cognizant of his mistakes and his role in his downfall. A similar pattern of action is revealed in final scene of the play with Agave and her release from madness.
downloadDownload free PDFView PDFchevron_rightEti Zōsa Phlox - Inferring Divine Presence in Euripides' "Bacchae".pdfDavid van SchoorActa Classica, 2018
It has long been recognised by interpreters that Dionysus’ meanings are peculiarly connected with his presence (parousia). Myths of the god typically recount a divine presence undiscerned or misdiagnosed by mortals, with tragic consequences. The vengeful Dionysus of Euripides’ Bacchae comes amongst humans disguised, ironically, to make them learn and recognise his divine identity and that they are in the presence of the truly, if not at first apparently, immortal. The kind of inference that it seems mortals are expected to rely upon in the vicinity of Dionysus in order to secure that all-important knowledge and recognition, is explored in this paper, which is offered as a contribution towards the development of a contemporary anthropology of Greek tragedy and its god. The anthropology of art and agency of Alfred Gell is mobilised in order to explore how different modes of inference are implicitly compared and evaluated in the drama and to suggest what this has to do with the nature of Dionysiac experience as represented by the tragic poet. The inspired inference it requires, envisioned by Euripides at the end of the 5th century, is equated with the logical process of abduction as defined and employed in philo-sophy, semiotics and the anthropology of art.
downloadDownload free PDFView PDFchevron_rightVirgil's Bacchus and the Roman RepublicMac Góráin, Fiachra2013
Allusion to Euripides' Bacchae in the Aeneid is considered in terms of Virgil's poetics of civil war. Aeneas plays the role of Dionysus; Turnus replays Pentheus; Amata alludes to Agave. The Euripidean allusion intersects with echoes of recent Roman history.
downloadDownload free PDFView PDFchevron_rightResisting the Dissolution of the Body Politic: The Human Conditions for the Pursuit of Excellence in Euripides’ BacchaeDustin GishThe Quest for Excellence: Liberal Arts and Core Texts, edited by D. Gish and C. Constas (University Press of America, 2018)
downloadDownload free PDFView PDFchevron_rightDressing for Dionysus: Statues and Material Mimesis in Euripides’ BacchaeMelissa MuellerGli oggetti sulla scena teatrale ateniese: Funzione, rappresentazione, comunicazione. Edited by Alessandra Coppola, Caterina Barone, and Monica Salvadori. CLEUP, Padua, 2016
downloadDownload free PDFView PDFchevron_rightPentheus Anguigena - Sins of the ‘Father’Paula JamesBulletin of the Institute of Classical Studies, 1993
downloadDownload free PDFView PDFchevron_rightStaging, Interpreting, Speaking Through Euripides: Ingmar Bergman Directs the BacchaeFrancesca SchironiInternational Journal of the Classical Tradition, 2016
downloadDownload free PDFView PDFchevron_rightPerspectives on the Impact of Bacchae at its Original PerformanceEdith M HallHow did the position of Bacchae as the last tragedy in a group with Iphigenia in Aulis and Alcmaeon in Corinth, after Dionysia rituals on the eve of the fall of the democracy, affect its ethical, metaphysical and emotional impact?
downloadDownload free PDFView PDFchevron_rightSee full PDFdownloadDownload PDF
Loading Preview
Sorry, preview is currently unavailable. You can download the paper by clicking the button above.
Related papers
Theater and Initiation: Euripides' BacchaeMelinda A . WeinsteindownloadDownload free PDFView PDFchevron_rightCrime or Error: The Terrible Fate of Actaeon Examining the Myth in Three Ancient SourcesStephen A GuerrierodownloadDownload free PDFView PDFchevron_rightOvid, Metamorphoses 3.511-733. Latin Text with Introduction, Commentary, Glossary of Terms, Vocabulary Aid and Study QuestionsAndrew Zissos2016
downloadDownload free PDFView PDFchevron_right‘Sing Evohe! Three twentieth-century operatic versions of Euripides’ Bacchae’ in Peter Brown & Suzana Ograjenšek (edd.) Ancient Drama in Music for the Modern Stage (OUP: Oxford, 2010) 320-39.Robert CowanThis chapter explores the receptions of Hellenism in the twentieth century, particularly its religious, psychological, aesthetic, and political connotations, by focusing on three operatic adaptations of The Bacchae, Karol Szymanowski’s King Roger, Egon Wellesz’s Die Bakchantinnen, and Hans Werner Henze’s The Bassarids, to a libretto by W. H. Auden and Chester Kallman.
downloadDownload free PDFView PDFchevron_right'Bacchant Women', in K. Demetriou and R. Lauriola (eds) Brill’s Companion to the Reception of Euripides (Leiden: Brill, 2015) 507–48Simon PerrisThis chapter is about the afterlife ('reception') of one of the greatest of all Greek tragedies, Euripides' Bacchae, from antiquity to the present day. It appears in the first-ever essay collection devoted to the worldwide reception of this most modern of playwrights. Bacchae is probably Euripides' darkest, most violent play, and it became especially popular from the mid-20th century. In this chapter, I collect and discuss reflections of Bacchae in translations, performances, adaptations, poems, plays, operas, and even paintings, exploring the idea that one focus of the play, in the original performance and in later eras, is violence and change.
downloadDownload free PDFView PDFchevron_rightRelated topics
- Explore
- Papers
- Topics
- Features
- Mentions
- Analytics
- PDF Packages
- Advanced Search
- Search Alerts
- Journals
- Academia.edu Journals
- My submissions
- Reviewer Hub
- Why publish with us
- Testimonials
- Company
- About
- Careers
- Press
- Help Center
- Terms
- Privacy
- Copyright
- Content Policy
Tag » Why Did Dionysus Kill Pentheus
-
Pentheus - Wikipedia
-
Who Is Responsible For The Death Of Pentheus, Pentheus Himself, Or ...
-
Pentheus In Greek Mythology
-
Who Was Pentheus? Why Was He Doomed By Dionysus? What Fate ...
-
DIONYSUS MYTHS 7 WRATH - Greek Mythology
-
Dionysus, Pentheus, And Agave Summary | Shmoop
-
Greek Mythology Story Dionysus Wandering
-
Myth Summary
-
Why Did Dionysus Kill Pentheus? | #1 Voted - The Celeb Times
-
Bacchae Outline
-
Pentheus's Death In "Bacchae" By Euripides
-
The Transformation Of Pentheus In Euripides' Bacchae - JSTOR
-
"The Bacchae": A City Sacrificed To A Jealous God - JSTOR
-
[PDF] Apollonian Restraint And Dionysian Excess In Euripides' The Bacchae