Taylor Swift Vocal Range - Voice's Critic

Vai al contenuto

Vocal Type: Light-Lyric Soprano (she does sing in a mezzo tessitura, though). Vocal Range: 2 Octaves and four notes (C#3-G5-G#5). Supported Range (at her best): not even sure she has one. Rating: C- Vocal Pluses: Bright, soft and girly tone that is smooth and pleasant to ears. Despite her many vocal flaws (which seem to be in a slight improvement), her voice shows off some positive traits. She is able to sustain a note for some seconds (especially in the studio) [Ready For It?] and execute some register transitions in a decent way [I Knew You Were Trouble]. Dark, confident low notes that have a smooth, velvety sound for the most part (until E3). Those notes are well projected but still unsupported until Bb3 due to her overall bad technique. The mid-range is easy and rounded, with a lyrical edge with it. It can be delicate and soft [Delicate] or solid and direct [We Are Never Ever Getting Back Together], while belts around A4 or B4 can produce some resonance. Sweet, light and youthful falsetto [White Horse] that can reach up to a G#5 (an probably higher, if she had some training). This area seems controlled pretty decently. Vocal Negatives: Voice, despite pleasant in its comfort zone, lack any real power, resonance, and strength and has a thin, anemic and weak quality in every part of the range. The range is very limited at both edges. The very lower notes, while easy, can sound airy below E3 and can lose clarity. Belts are weak, thin and very tense (besides some decent around A4 or B4) and she lacks any stamina, resonance to those notes. Every register lacks vibrato and her belted notes can only be held badly and for brief periods live [Shake It Off]. She is also often off-key, out of tune and pitchy in a live setting.

Recaps

+ Soft, bright and smooth tone in the mid-range. Good low notes from E3 to G3. Good at registers transitions. Light falsetto register. Little ease can be heard to A4/B4.

– Weak, anemic, thin voice, has zero supported range and resonance when singing. Often pitchy, out of tune and off key. Technically a dreadful singer. Weak, forced and shrill belts. No vibrato nor development of vocal drives, agility, and head voice register.

Condividi:

• X
• Facebook

Mi piace Caricamento...

Correlati

Pubblicato da budamatteo

Vedi tutti gli articoli di budamatteo

Navigazione articoli

Articolo precedente Katy Perry Vocal RangeArticolo successivo Faith Hill Vocal Range

Lascia un commento Cancella risposta

Δ

Ricerca per:

Articoli recenti

• Tina Turner Vocal Range
• Lana Del Rey Vocal Range
• Florence Welch Vocal Range
• Lauren Jauregui Vocal Range
• Faith Hill Vocal Range

Commenti recenti

Archivi

• settembre 2019
• luglio 2019
• Maggio 2019
• aprile 2019

Categorie

• A
• A-
• B-
• C-
• D+
• Dugazon
• Female
• Light-Lyric Soprano
• Lyric Mezzo-Soprano
• Lyric Soprano
• Lyric Tenor
• Male
• Mezzo-Soprano
• Senza categoria
• Singers by rating
• Singers by vocal type
• Soubrette
• Star-

Meta

• Crea account
• Accedi
• Flusso di pubblicazione
• Feed dei commenti
• WordPress.com

Statistiche del blog

• 144.552 hits

Privacy e cookie: questo sito usa cookie. Continuando a usare questo sito, si accetta l’uso dei cookie. Per scoprire di più anche sul controllo dei cookie, leggi qui: Informativa sui cookie

• Commenta
• Ripubblica
• Abbonati Abbonato
  • Voice's Critic
  Registrami
  • Hai già un account WordPress.com? Accedi ora.
• • Voice's Critic
  • Abbonati Abbonato
  • Registrati
  • Accedi
  • Copia shortlink
  • Segnala questo contenuto
  • Visualizza articolo nel Reader
  • Gestisci gli abbonamenti
  • Riduci la barra

Caricamento commenti... Scrivi un Commento... E-mail (Obbligatorio) Nome (Obbligatorio) Sito web %d Progetta un sito come questo con WordPress.comComincia ora