The Catcher In The Rye | Summary, Analysis, Reception, & Facts

Publication and initial reception

The Caulfield family was one Salinger had already explored in a number of stories that had been published by different magazines. Holden appeared in some of those stories, even narrating one, but he was not as richly fleshed out in them as he would be in The Catcher in the Rye. The novel, unlike the other stories of the Caulfield family, had difficulties getting published. Originally solicited by Harcourt, Brace and Company, the manuscript was rejected after the head of the trade division asked whether Holden was supposed to be crazy. It was then that Salinger’s agent, Dorothy Olding, approached Little, Brown and Company, which published the novel in 1951. After Little, Brown bought the manuscript, Salinger showed it to The New Yorker, assuming that the magazine, which had published several of his short stories, would want to print excerpts from the novel. The New Yorker rejected it, however, as the editors found the Caulfield children too precocious to be plausible and Salinger’s writing style exhibitionistic.

The Catcher in the Rye’s reception was lukewarm at first. Many critics were impressed by Holden as a character and, specifically, by his style of narration. Salinger was able to create a character whose relatability stemmed from his unreliability—something that resonated with many readers. Others, however, felt that the novel was amateur and unnecessarily coarse.

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