The Old Man And The Sea Day One Summary & Analysis - LitCharts
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The Old Man and the Sea Introduction + Context Plot Summary Detailed Summary & Analysis Day One Day Two Day Three Day Four Day Five Themes All Themes Resistance to Defeat Pride Friendship Youth and Age Man and Nature Christian Allegory Quotes Characters All Characters Santiago Manolin Symbols All Symbols The Marlin Lions The Sharks The Mast Literary Devices All Literary Devices Allegory Alliteration Dialect Genre Hyperbole Imagery Irony Mood Personification Setting Similes Situational Irony Style Tone Download PDF Download Teacher Edition 
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Themes Key LitCharts assigns a color and icon to each theme in The Old Man and the Sea, which you can use to track the themes throughout the work. Resistance to Defeat Pride Friendship Youth and Age Man and Nature Christian Allegory Summary Analysis Santiago is an elderly fisherman who has gone 84 days without catching a fish. For the first 40 days, a boy named Manolin worked with Santiago. But Manolin's parents forced him to leave Santiago and start working on a "luckier" boat. Even so, at the end of every day Manolin still helps Santiago carry his empty skiff (boat) in from the water. The novella's opening establishes the Santiago and Manolin's devoted friendship. The number 40 is significant in the Bible, and Santiago's 40 days of bad luck parallels Christ's 40 days in the desert. Themes 
Literary Devices Santiago's face and hands are deeply scarred from so many years of handling fishing gear and heavy fish. Everything about him is old, except his eyes, which are the same color as the sea and are "cheerful and undefeated." Santiago's body betrays his age, but his eyes show that his mind and spirit are resilient and still youthful. That his eyes match the sea links Santiago to nature. Themes 
Quotes After Santiago's 84th unsuccessful day, Manolin once again helps him to bring in his skiff and gear. Manolin tells Santiago that he has made a bit of money working on the "luckier" boat, and offers to rejoin Santiago. He says that his father lacks faith, which is why he forced Manolin to switch to the other boat. Santiago advises him to stay with the luckier boat, but the two agree that they have faith that Santiago will catch something soon. Santiago's faith in his own skills and abilities allows him to fight off the hopelessness that might otherwise come from his bad fishing luck. Manolin's offer to return to work with Santiago, despite the likelihood that working with Santiago would make him less money, shows the depth of their friendship. Themes 
Manolin offers to buy Santiago a beer on the Terrace, a restaurant near the docks. The other fishermen at the restaurant make fun of Santiago's troubles, but Manolin disregards them. He reminisces with Santiago about the time they first started fishing together, when Manolin was five years old. Manolin says he still wants to help Santiago and offers to get Santiago fresh sardines for bait. Santiago initially refuses, but then finally agrees to accept two pieces of bait. The other fishermen see Santiago as a defeated old man. Manolin's faith in Santiago helps Santiago ignore these insults, just as later it helps him endure his struggle against the marlin. Santiago refuses Manolin's offer at first out of pride. He wants to be self-sufficient. His acceptance of the offer later shows his desperation. Themes Get the entire The Old Man and the Sea LitChart as a printable PDF. "My students can't get enough of your charts and their results have gone through the roof." -Graham S. Download ![The Old Man and the Sea PDF]()
Over their beers, Santiago tells Manolin that he will be fishing far out in the sea the next day. Manolin says he will try to get the man he is fishing with to go far out as well since the man has bad vision and will follow the boy's recommendations. Manolin wonders how Santiago's vision can be so good after so many years of fishing. Santiago replies, "I am a strange old man." Santiago's desire to fish far out shows his desperation to catch a fish, even at the risk of danger. If something dangerous occurs, there will be no help—it will be just Santiago and the sea. Santiago's good vision again emphasizes his youthful qualities despite his age. Themes After they finish the beer, Manolin helps Santiago carry his equipment up the road to Santiago's sparsely furnished shack. On the wall are two paintings: one of the Sacred Heart of Jesus, which belonged to Santiago's wife, and another of the patron saint of Cuba. Santiago has taken down a photograph of his wife that used to hang on the wall because it made him too lonely to see it. The paintings suggest that Santiago's wife was more religious than he, but that he may have adopted her faith as a way of remembering her. That Santiago feels too lonely to even look at his wife's photograph shows how empty his life is, besides his friendship with Manolin. Themes After going through the same dinner ritual they follow every night: Santiago offers Manolin some food, which Manolin declines because Santiago doesn't really have any food at all. The dinner ritual allows Santiago to play the role of gracious host and to resist the sense of defeat that might come from having no food. Themes They then sit on the porch and read about baseball in the newspaper. Santiago tells Manolin he will have a good catch the next day, his 85th day without luck, and Manolin jokingly asks why he isn't holding out for 87 days, to break his longest unlucky streak. Santiago replies that such an unlucky streak could not happen twice. Baseball is Santiago's pastime and distraction because, like fishing, it is a game of streaks and luck, and yet, in the end, a player's skill is most important. Themes Manolin leaves to get the sardines he promised Santiago. When he returns, it is dark and Santiago is asleep on the porch. Manolin covers him with a blanket, noticing that with the old man's eyes closed there is no life in his face. Soon Santiago wakes, and Manolin gives him some food that Martin, the owner of the Terrace, has provided as a gift. Santiago asks if Martin has given them food before, and Manolin says he has. Santiago sleepily says he must thank the owner by giving him the belly meat of a big fish. That Santiago seems lifeless with eyes closed shows that his youthfulness is internal—in his mind and memories only. Santiago's inability to recall whether Martin has given him food shows how old he truly is, but his promise to repay the gift with good meat from a fish shows that he still has the pride and determination of a young man. Themes Manolin reminds himself to bring Santiago water, soap, and a towel, as well as a new shirt, jacket and shoes. Manolin's devotion to Santiago is profound. Themes Santiago then reminisces about his time as a youth on a ship that sailed to Africa, and about the lions he saw on the beaches there. The powerful lions symbolize Santiago's youth. Also note that a group of lions is called a pride. Themes But Manolin wants to talk more about baseball. They talk about Joe DiMaggio, who is Santiago's favorite player and whose father was a fisherman. They then debate the best manager in baseball. DiMaggio was revered for his grace, humility, terrific skill, and willingness to play through injury—traits Santiago shares. Themes Manolin breaks in to say that he thinks Santiago is the best fisherman. Santiago humbly disagrees, but acknowledges that although he is no longer strong he has "tricks" and "resolution." "Tricks" and "resolution" are psychological assets. Santiago's aging body may betray him, but his mind keeps him young.. Themes Quotes When Manolin leaves, Santiago wraps himself in the blanket and lies down on the newspapers that cover the springs of his bed. He no longer dreams of storms, women, fish, fights, or his wife. He dreams only "of places now and of the lions on the beach" in Africa. Santiago's newspaper-covered bed shows he is very poor. Everything has been stripped from him, so that all he has left is a kind of inner lion, an inner pride. Themes Quotes Literary Devices Previous Summary Previous Summary Next Day Two Next Day Two Cite This Page Close Company About Us Our Story Support Help Center Contact Us Connect Facebook Twitter Legal Terms of Service Privacy Policy Privacy Request Home About Contact Help LitCharts, a Learneo, Inc. business Copyright © 2026 All Rights Reserved Terms Privacy Privacy Request 
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Sign In Sign up for A+ AI Tools Guides Sign In Sign up for A+ Sign up Introduction Intro Plot Summary Plot Summary & Analysis Themes - All Themes
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Resistance to Defeat -
Pride -
Friendship -
Youth and Age -
Man and Nature -
Christian Allegory
- All Symbols
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The Marlin -
Lions -
The Sharks -
The Mast
Download this Chart (PDF) Download the Teacher Edition Download this Chart (PDF) | Previous Summary | The Old Man and the Sea: Day One Summary & Analysis | Next Day Two |
Themes Key LitCharts assigns a color and icon to each theme in The Old Man and the Sea, which you can use to track the themes throughout the work. Resistance to Defeat Pride Friendship Youth and Age Man and Nature Christian Allegory Summary Analysis Santiago is an elderly fisherman who has gone 84 days without catching a fish. For the first 40 days, a boy named Manolin worked with Santiago. But Manolin's parents forced him to leave Santiago and start working on a "luckier" boat. Even so, at the end of every day Manolin still helps Santiago carry his empty skiff (boat) in from the water. The novella's opening establishes the Santiago and Manolin's devoted friendship. The number 40 is significant in the Bible, and Santiago's 40 days of bad luck parallels Christ's 40 days in the desert. Themes Literary Devices Santiago's face and hands are deeply scarred from so many years of handling fishing gear and heavy fish. Everything about him is old, except his eyes, which are the same color as the sea and are "cheerful and undefeated." Santiago's body betrays his age, but his eyes show that his mind and spirit are resilient and still youthful. That his eyes match the sea links Santiago to nature. Themes Quotes After Santiago's 84th unsuccessful day, Manolin once again helps him to bring in his skiff and gear. Manolin tells Santiago that he has made a bit of money working on the "luckier" boat, and offers to rejoin Santiago. He says that his father lacks faith, which is why he forced Manolin to switch to the other boat. Santiago advises him to stay with the luckier boat, but the two agree that they have faith that Santiago will catch something soon. Santiago's faith in his own skills and abilities allows him to fight off the hopelessness that might otherwise come from his bad fishing luck. Manolin's offer to return to work with Santiago, despite the likelihood that working with Santiago would make him less money, shows the depth of their friendship. Themes Manolin offers to buy Santiago a beer on the Terrace, a restaurant near the docks. The other fishermen at the restaurant make fun of Santiago's troubles, but Manolin disregards them. He reminisces with Santiago about the time they first started fishing together, when Manolin was five years old. Manolin says he still wants to help Santiago and offers to get Santiago fresh sardines for bait. Santiago initially refuses, but then finally agrees to accept two pieces of bait. The other fishermen see Santiago as a defeated old man. Manolin's faith in Santiago helps Santiago ignore these insults, just as later it helps him endure his struggle against the marlin. Santiago refuses Manolin's offer at first out of pride. He wants to be self-sufficient. His acceptance of the offer later shows his desperation. Themes Get the entire The Old Man and the Sea LitChart as a printable PDF. "My students can't get enough of your charts and their results have gone through the roof." -Graham S. Download 
Over their beers, Santiago tells Manolin that he will be fishing far out in the sea the next day. Manolin says he will try to get the man he is fishing with to go far out as well since the man has bad vision and will follow the boy's recommendations. Manolin wonders how Santiago's vision can be so good after so many years of fishing. Santiago replies, "I am a strange old man." Santiago's desire to fish far out shows his desperation to catch a fish, even at the risk of danger. If something dangerous occurs, there will be no help—it will be just Santiago and the sea. Santiago's good vision again emphasizes his youthful qualities despite his age. Themes After they finish the beer, Manolin helps Santiago carry his equipment up the road to Santiago's sparsely furnished shack. On the wall are two paintings: one of the Sacred Heart of Jesus, which belonged to Santiago's wife, and another of the patron saint of Cuba. Santiago has taken down a photograph of his wife that used to hang on the wall because it made him too lonely to see it. The paintings suggest that Santiago's wife was more religious than he, but that he may have adopted her faith as a way of remembering her. That Santiago feels too lonely to even look at his wife's photograph shows how empty his life is, besides his friendship with Manolin. Themes After going through the same dinner ritual they follow every night: Santiago offers Manolin some food, which Manolin declines because Santiago doesn't really have any food at all. The dinner ritual allows Santiago to play the role of gracious host and to resist the sense of defeat that might come from having no food. Themes They then sit on the porch and read about baseball in the newspaper. Santiago tells Manolin he will have a good catch the next day, his 85th day without luck, and Manolin jokingly asks why he isn't holding out for 87 days, to break his longest unlucky streak. Santiago replies that such an unlucky streak could not happen twice. Baseball is Santiago's pastime and distraction because, like fishing, it is a game of streaks and luck, and yet, in the end, a player's skill is most important. Themes Manolin leaves to get the sardines he promised Santiago. When he returns, it is dark and Santiago is asleep on the porch. Manolin covers him with a blanket, noticing that with the old man's eyes closed there is no life in his face. Soon Santiago wakes, and Manolin gives him some food that Martin, the owner of the Terrace, has provided as a gift. Santiago asks if Martin has given them food before, and Manolin says he has. Santiago sleepily says he must thank the owner by giving him the belly meat of a big fish. That Santiago seems lifeless with eyes closed shows that his youthfulness is internal—in his mind and memories only. Santiago's inability to recall whether Martin has given him food shows how old he truly is, but his promise to repay the gift with good meat from a fish shows that he still has the pride and determination of a young man. Themes Manolin reminds himself to bring Santiago water, soap, and a towel, as well as a new shirt, jacket and shoes. Manolin's devotion to Santiago is profound. Themes Santiago then reminisces about his time as a youth on a ship that sailed to Africa, and about the lions he saw on the beaches there. The powerful lions symbolize Santiago's youth. Also note that a group of lions is called a pride. Themes But Manolin wants to talk more about baseball. They talk about Joe DiMaggio, who is Santiago's favorite player and whose father was a fisherman. They then debate the best manager in baseball. DiMaggio was revered for his grace, humility, terrific skill, and willingness to play through injury—traits Santiago shares. Themes Manolin breaks in to say that he thinks Santiago is the best fisherman. Santiago humbly disagrees, but acknowledges that although he is no longer strong he has "tricks" and "resolution." "Tricks" and "resolution" are psychological assets. Santiago's aging body may betray him, but his mind keeps him young.. Themes Quotes When Manolin leaves, Santiago wraps himself in the blanket and lies down on the newspapers that cover the springs of his bed. He no longer dreams of storms, women, fish, fights, or his wife. He dreams only "of places now and of the lions on the beach" in Africa. Santiago's newspaper-covered bed shows he is very poor. Everything has been stripped from him, so that all he has left is a kind of inner lion, an inner pride. Themes Quotes Literary Devices Previous Summary Previous Summary Next Day Two Next Day Two Cite This Page Close Company About Us Our Story Support Help Center Contact Us Connect Facebook Twitter Legal Terms of Service Privacy Policy Privacy Request Home About Contact Help LitCharts, a Learneo, Inc. business Copyright © 2026 All Rights Reserved Terms Privacy Privacy Request Save time. Stress less. Sign up! - AI Tools for on-demand study help and teaching prep.
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