Understanding The Project's Color Space Setting - Media Composer ...

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From the course: Media Composer 2020 Essential Training: 101 Fundamentals 1

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Understanding the project's color space setting - Media Composer Tutorial

From the course: Media Composer 2020 Essential Training: 101 Fundamentals 1

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Understanding the project's color space setting

“

- [Tutor] I'd like to take a moment to just touch on the color space options you have when creating a new project. I'm in the select project window, and I'm going to click on new project, and in this new project dialog box we have a color space menu. There are many options available on this menu, and it can be a little bit wildering when you are first creating a project to know which to choose. The references at the beginning of each description are showing the way that the color information is going to be divided. So why? Here it refers to the luminous the brightness in the image that's one channel of color, and then there's color blue and color red, and the 709 refers to the color standard that's being used. Whenever you choose on this menu, in a way I suppose the simplest way to describe it is the media composer will conform your colors to that standard. It will clamp in colors that are too saturated for…

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• Exercise File: Subscribe to access. Avid_101_Assets_01.zip
• Exercise File: Subscribe to access. Avid_101_Assets_02.zip
• Exercise File: Subscribe to access. Avid_101_Assets_03.zip

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Contents

• Introduction Introduction
  • Welcome 52s
  • Using the lesson files 7m 48s
  • Refreshing the media database 4m 37s
  • What you should know before you begin 1m 44s
  • Intro to MC 2020: Part 1 an intro to the new Select Project window 1m 44s
  • Intro to MC 2020: Part 2 introducing Avid UME 3m 56s
  • Intro to MC 2020: Part 3 relinking media 5m 2s
• 1. Introduction to Media Composer 1. Introduction to Media Composer
  • (Locked) Launching Media Composer 3m 55s
  • (Locked) Creating a user profile 4m 46s
  • (Locked) Overview of the Media Composer interface 6m 29s
  • (Locked) The Bin Container window 4m 23s
  • (Locked) Creating bins 3m 54s
  • (Locked) Floating and docking windows 2m 27s
  • (Locked) Working in bins 5m 44s
  • (Locked) Filtering bins 1m 8s
  • (Locked) Sifting bins 3m 14s
  • The Bin Map 2m 34s
  • (Locked) Introducing the Composer window 5m 30s
  • (Locked) Keys and buttons in the Composer window 1m 29s
  • (Locked) The Timeline window 4m 29s
• 2. Personalizing the Interface 2. Personalizing the Interface
  • Setting up workspaces 5m 44s
  • (Locked) Adjusting settings 3m 59s
  • (Locked) Introducing the Command Palette 3m 11s
  • Command Palette: Button to Button mode 2m 20s
  • (Locked) Command Palette: Menu to Button mode 2m 39s
  • (Locked) The keyboard setting 3m 47s
  • (Locked) Adjusting auto-save settings 4m 52s
• 3. Getting Started 3. Getting Started
  • (Locked) Creating a new project 5m 8s
  • (Locked) Understanding the project's format setting 5m 44s
  • (Locked) Understanding the project's color space setting 3m 38s
  • (Locked) Overview of import options 3m 46s
  • (Locked) Media Creation settings 4m 27s
• 4. Importing Media 4. Importing Media
  • (Locked) Importing 6m 9s
  • (Locked) Overview of the Source Browser 6m 7s
  • Linking with the Source Browser 2m 51s
  • Importing with the Source Browser 1m 57s
  • (Locked) Importing audio media 4m 7s
  • (Locked) Installing AMA plugins 1m 50s
  • (Locked) Deleting unwanted clips 2m 33s
  • (Locked) Working with source settings 5m 1s
  • (Locked) Relinking media files 6m 22s
  • (Locked) Adjusting source clip audio level 4m 49s
• 5. Getting Ready to Edit 5. Getting Ready to Edit
  • Reviewing clips 4m 19s
  • (Locked) Marking clips 4m 38s
  • (Locked) Marking clips in a bin 1m 47s
  • (Locked) Adding comments and keywords 1m 44s
  • (Locked) Searching for clips 4m 9s
  • (Locked) Subclips 2m 44s
  • Create a bin view 4m 48s
• 6. Preparing the Timeline for Editing 6. Preparing the Timeline for Editing
  • (Locked) Creating a new sequence 6m 12s
  • (Locked) Move the timeline playhead 4m 12s
  • (Locked) Working with tracks 3m 1s
  • (Locked) Patching tracks 2m 23s
  • (Locked) Monitoring video tracks 1m 42s
  • Displaying and adjusting waveforms 1m 58s
  • (Locked) Toggling source: Record in the Timeline 3m 6s
  • (Locked) Selecting source and record tracks 3m 28s
• 7. Editing with Splice-In and Overwrite 7. Editing with Splice-In and Overwrite
  • (Locked) Building your sequence with Splice-in 5m 55s
  • (Locked) Inserting a shot 2m 59s
  • (Locked) Maintaining sync when splicing in clips 4m 18s
  • (Locked) Understanding filler 3m 54s
  • (Locked) Editing with Overwrite 6m 18s
  • (Locked) Removing material with the Lift tool 5m 16s
  • (Locked) Removing material with the Extract tool 5m 19s
  • (Locked) Adding edits 2m 34s
  • Working with timecode 4m 35s
  • (Locked) The Timecode window 1m 49s
  • (Locked) Match Frame 1m 58s
  • (Locked) Find Bin 2m
  • (Locked) Go to Next Event and Go to Previous Event 2m 39s
• 8. Working with Markers 8. Working with Markers
  • (Locked) Add markers 3m 25s
  • (Locked) Timeline markers 3m 6s
  • Select ranges with markers 2m 21s
  • (Locked) The Markers window 1m 41s
• 9. Drag-and-Drop Editing in Segment Mode 9. Drag-and-Drop Editing in Segment Mode
  • (Locked) The Smart Tools 5m 51s
  • (Locked) The Settings keyboard shortcut 1m 22s
  • (Locked) Smart Tool settings 6m 7s
  • (Locked) Dragging options 4m 15s
  • (Locked) Automatically creating a sequence 2m 35s
  • (Locked) Drag and drop to Splice-in 6m 13s
  • (Locked) Drag-and-drop overwrite 3m 17s
  • (Locked) Timeline View options 3m 14s
  • Dark and light text 3m 12s
  • (Locked) Dupe Detection 2m 53s
  • (Locked) Digital audio scrub 2m 17s
  • (Locked) Change the volume of a segment 3m 17s
  • (Locked) Soloing and muting tracks 3m 4s
• 10. Moving Segments in the Timeline 10. Moving Segments in the Timeline
  • (Locked) Selecting and deleting segments 5m 1s
  • (Locked) The Link Selection toggle 1m 56s
  • (Locked) Rearranging with Extract and Splice-in 4m 13s
  • (Locked) Rearranging with Lift and Overwrite 6m 44s
  • Lasso to select 3m 10s
  • (Locked) Buttons for selecting segments 1m 59s
  • (Locked) Replacing existing material 3m 17s
• 11. Changing the Length of Timeline Segments 11. Changing the Length of Timeline Segments
  • (Locked) Trim with the Smart tool 5m 45s
  • (Locked) Trim the start of a clip 1m 28s
  • (Locked) Dual-roller trimming 1m 54s
  • (Locked) Trim mode 4m 9s
  • (Locked) J-cuts and L-cuts 4m 13s
  • (Locked) Using Lasso to set trim handles 2m 51s
  • (Locked) Using Sync Locks 6m 50s
  • (Locked) Trim with the keyboard 4m 28s
• 12. Useful Tools 12. Useful Tools
  • (Locked) Undo 2m 24s
  • Duplicate 4m 22s
  • (Locked) Play In to Out 1m 52s
  • (Locked) Search in visible Timeline text 1m 24s
  • (Locked) Lock tracks 3m 34s
• 13. Introduction to Transition Effects 13. Introduction to Transition Effects
  • Adding quick transitions 6m 56s
  • (Locked) Adding multiple transition effects 1m 55s
  • (Locked) Modifying transition effects in the Timeline 2m 37s
  • (Locked) Accessing effects from the Effect Palette 2m 15s
  • (Locked) Modifying effects in Effect mode 5m 21s
  • (Locked) Creating an effect template 3m 48s
  • (Locked) Removing transitions 1m 21s
  • (Locked) Add audio transitions 2m 55s
  • (Locked) Replacing standard transition effects 2m 30s
• 14. Introduction to Segment Effects 14. Introduction to Segment Effects
  • (Locked) Types of effect 2m 59s
  • (Locked) The Effect Palette 1m 46s
  • (Locked) Applying segment effects 1m 24s
  • (Locked) Removing segment effects 1m 41s
  • (Locked) The Effects workspace 2m 30s
  • (Locked) Flop a shot 2m 37s
  • Stabilize a shot 4m 34s
  • (Locked) Locking down a shot 2m 47s
  • (Locked) Configure automatic color correction 4m 5s
  • (Locked) Apply automate color correction 4m 36s
  • (Locked) Hiding jump cuts with Fluid Morph 5m 2s
  • (Locked) Advanced Fluid Morph settings 2m 59s
  • (Locked) Resize a shot 5m 26s
  • (Locked) Animate a shot with keyframes 3m 29s
• 15. Combining Multiple Effects 15. Combining Multiple Effects
  • Auto-nesting 3m 9s
  • (Locked) Seeing multiple effects in the Effect Editor 2m 44s
  • (Locked) Displaying a nest in the timeline 4m 23s
  • (Locked) Changing the order of nested effects 1m 39s
• 16. Freeze Frames and Motion Effects 16. Freeze Frames and Motion Effects
  • (Locked) Creating freeze-frames 6m 18s
  • (Locked) Creating a motion effect 3m 42s
  • (Locked) Creating motion effects using Fit to Fill 6m 19s
  • (Locked) Motion effect render methods 3m 35s
• 17. Creating Titles 17. Creating Titles
  • (Locked) Create a title with the Avid Titler+ Tool 6m 6s
  • (Locked) Exploring the Avid Titler+ formatting options 6m 24s
  • (Locked) Shadow, edge, and frame options 3m 23s
  • (Locked) Default title parameters 1m 11s
  • (Locked) Saving a title 5m 3s
  • (Locked) Modifying a title 2m 27s
  • (Locked) Creating shapes 4m 43s
  • (Locked) Fading a title up and down 1m 58s
  • (Locked) Using Head Fade and Tail Fade 3m 53s
  • (Locked) Removing titles 4m 45s
  • (Locked) The Video Quality menu 5m 10s
• 18. Exporting Your Movie 18. Exporting Your Movie
  • (Locked) Exporting a video sequence 2m 31s
  • (Locked) Changing the export settings 6m 24s
  • (Locked) Creating an export preset 2m 27s
• 19. Technical Fundamentals 19. Technical Fundamentals
  • (Locked) Deleting media using the Media tool 5m 54s
  • (Locked) Recovering lost work 5m 46s
  • (Locked) Duplicating a project 2m 22s
• Conclusion Conclusion
  • (Locked) Goodbye 1m 41s

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