Glenn Gould had already played Malher to the cows, but this extraordinary tale that comes to us from Lund, a small village near Copenhagen is truly incredible and makes us understand the extraordinary connection of classical music with nature.
During a recent performance of Tchaikovsky’s "Pezzo Capriccioso," a handful of audience members leaned forward attentively, their eyes bright, a few encouraging snuffles escaping from the otherwise hushed parterre. Though relative newcomers to classical music, they seemed closely attuned to the eight cellists onstage, raising their heads abruptly as the piece's languid strains gave way to rapid-fire bow strokes.
When it was over, amid the fervent applause and cries of “bravo,” there could be heard a single, appreciative moo.
The cattle farmers Mogens and Louise Haugaard, and Jacob Shaw, who founded the Scandinavian Cello School.
In the end of April, in Lund, a village about 50 miles south of Copenhagen, a group of elite cellists played two concerts for both some music-loving cows and their human counterparts. The culmination of a collaboration between two local cattle farmers, Mogens and Louise Haugaard, and Jacob Shaw, founder of the nearby Scandinavian Cello School, the concerts were meant to attract some attention to the school and the young musicians in residence there. But to judge by the response of both two- and four-legged attendees, it also demonstrated just how popular an initiative that brings cultural life to rural areas can be.
“Classical music is very good for humans,” Haugaard said. “It helps us relax, and cows can tell whether we’re relaxed or not. It makes sense that it would make them feel good too.”It’s not always good for the people who perform it, however. Shaw said he founded the Scandinavian Cello School to help fledgling musicians prepare for the less glamorous demands of a professional career in an industry that can sometimes chew up young artists in the constant quest for the next big thing.
While touring internationally as a self-managed artist, he found himself exhausted by the grind of negotiating contracts, promoting himself and relentless travel, he said in an interview. That experience — coupled with a stint as a professor at a prestigious music academy in Barcelona — made him realize there was a hole there that needed filling.
“I kept coming across fantastic young talents who simply weren’t being given the tools to get out there,” said Shaw. They might have excellent teachers to work with them on the music itself, but what was missing was “that extra bit of help,” he said, in the areas like booking concerts, preparing for competitions and handling social media.
In its original incarnation, the Scandinavian Cello School was an itinerant organization — more a traveling boot camp than an academy. But in 2018, Shaw and his girlfriend, the violinist Karen Johanne Pedersen, bought a farmhouse in Stevns and turned it into a permanent base for the school. Its students, who come from all over the world and are mostly aged between 17 and 25, stay for short-term residencies at which they hone their musical as well as professional skills — including how to achieve a work-life balance.
The location helps with that. Situated less than a half mile from the sea, the school also offers the visiting musicians the opportunity to help out in a vegetable garden, forage in the nearby forest, fish for dinner, or just relax in an area far from the city.
That environment is part of what drew Johannes Gray, a 23-year-old American cellist, currently living in Paris, who won the prestigious Pablo Casals International Award in 2018. Gray initially visited the Scandinavian Cello School in 2019, and then returned for in the school’s first post-pandemic intake, attracted by both the career development opportunities and the leisure activities.
“Jacob’s been giving me advice on how to create a program and basically package it to make it more interesting,” Gray said. “But we’re also both extreme foodies, and we love cooking, so after a long day of practicing, we can go out and fish, or plan this huge feast. It’s not just about the music.”
As much as the musicians benefit from the environment, so this primarily agricultural region profits from the small influx of international artists. The school receives some financial support from local government and businesses. In return, the visiting musicians — seven have come for the current residency — perform at schools and care facilities in the region. And they play for the cows.
In Italy there has been much talk of enhancing small rural villages and natural areas. Surely this virtuous example is not only to be followed, but to be integrated with activities related to simple life, sharing and love for animals and nature.
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Students from the Scandinavian Cello School in Denmark found a unique way to give a concert during the Covid-19 pandemic by performing for cows.
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A collaboration between a cattle farmer and a Danish music training program reveals how popular an initiative that brings cultural life to rural areas can be.
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These cows are thoroughly moooved by the sound of this lovely Irish folk song on a cello – one of them perhaps a little too much.
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