WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE ... - Bonhams

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£400 - £600The Early West / WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876.Previous LotNext LotWILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 1WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 2WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 3WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 4WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 5WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 6WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 7WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 8Thumbnail of WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 1Thumbnail of WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 2Thumbnail of WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 3Thumbnail of WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 4Thumbnail of WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 5Thumbnail of WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 6Thumbnail of WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 7Thumbnail of WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. image 8Lot 3WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876. No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock.The Early West: The Collection of Jim and Theresa Earle27 August 2021, 12:00 PDTLos Angeles

Sold for US$475,312.50 inc. premium

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WILD BILL HICKOK'S SPRINGFIELD TRAPDOOR RIFLE BURIED BY HIS SIDE AT DEADWOOD SOUTH DAKOTA ON AUGUST 3, 1876.

No visible serial number, circa 1870, .45-70 caliber 29 5/8 inch barrel, 1863 on tail of lock. Eaglehead and US arsenal marks. Cleaning rod. J.B. Hickock crudely carved on left side of walnut stock. JB monogram on the right. Condition: Fair to Good. Contemporary modifications for sporting use. Stock shortened. Pewter fore-end cap. Large chunks missing from fore-end and above action. Stock re-carved with cheekpieces. Buttplate with long scheutzen style tail.Provenance: "Wild Bill" Hickok, buried with him at Deadwood, South Dakota, 1876; removed when the grave was moved to Mount Moriah Cemetery, September 3, 1879 (McClintock, Pioneer Days in the Black Hills," 1939, and Rosa, Wild Bill Hickok: Gunfighter, 2001); John Bradley, Spearfish, SD; sold to Allen Toomey, Spearfish, SD; by descent to Isabel Toomey Duffy; EXHIBITED, Adams Museum, Deadwood, South Dakota, 1940-1953 (letters from Adams Museum, and Deadwood Chamber of Commerce); sold to Jim and Theresa Earle (signed letter of documentation and transfer of ownership from Isabel Toomey Duffy and her son William Duffy, May 24, 1993).Literature: McClintock, John S, Pioneer Days in the Black Hills, Norman, OK, 1939, p 114; Rosa, Joseph, Wild Bill Hickok: Gunfighter, College Station, TX, 2001, pp 188-197; Rosa, Joseph, "Letter of Documentation," signed, May 4, 1996.THE MOST DOCUMENTED WILD BILL HICKOK GUN KNOWN: HIS PRIZED SPRINGFIELD SPORTER WHICH WAS BURIED WITH HIM AT DEADWOOD IN 1876.Even if tales of James Butler "Wild Bill" Hickok having killed "over one-hundred men" are overstated, Hickok remains in many ways the archetypal gunfighter of the Wild West: cool, calm, deadly when necessary, but acting with attention to law and justice. Called "Bill" or "William" since the mid-1850s, Hickok served the Union during the Civil War as a wagonmaster, courier, and a scout, earning the nickname "Wild Bill" in the process. An 1867 Harper's New Monthly Magazine article brought his exploits to the general public, and Hickok again went to work as a scout, meeting Lt. Col. George Armstrong Custer for the first time. By 1876, he made his way to Deadwood, South Dakota, where he prospected with Colorado Charlie Utter and gambled. On August 2, 1876, he was shot in the back of the head by Jack McCall, holding a poker hand of aces and eights (now popularly known as the "dead man's hand"). At the time of his death, he was revered and feared in the west for his quickness and skill, both as a lawman and as a gunfighter. Journalist Leander Richardson, who had met Hickok just days earlier, recalled the scene at the funeral: "The body was clothed in a full suit of broad-cloth, the hair brushed back from the broad forehead, and the blood washed from the pallid cheek. Beside the dead hero lay his rifle, which was buried with him. The funeral ceremony was brief and touching, hundreds of rough miners standing around the bier with bowed heads and tear-dimmed eyes,—for with the better class 'Wild Bill' had been a great favorite" (Richardson, "A Trip to the Black Hills," Scribners Monthly 13, April 1877). In 1879, with the growth of the town of the town of Deadwood, the original site of "boot hill" (the Ingleside Cemetery) had to be moved, and on September 3 of that year, Colorado Charlie Utter, William Austin, Lewis Schoenfeld and John S. McClintock moved him to the current resting place in Mount Moriah Cemetery. John S. McClintock describes the move in vivid terms in his 1939 memoir Pioneer Days in the Black Hills p (114). In the description, and according to the foremost authority on Hickok, Joseph Rosa, McClintock notes that this Springfield rifle "with the name of J.B. Hickok engraved [carved] in the wood" was removed and came into the hands of John Bradley of Spearfish, SD, "who used the gun for many years afterwards." Rosa gives a detailed description of the provenance, descending from Bradley to Allen Toomey, its exhibition for many years at the Adams Museum in Deadwood, to Isabel Toomey, and then sold to Jim Earle in 1993. Rosa's description encompasses the entirety of Chapter 13 ("Wild Bill Hickok's Rifle") in his book Wild Bill Hickok: Gunfighter.In an article for Wild West Magazine in 2014, Rosa wrote that the "only authenticated Hickok weapon is the rife removed from his coffin in 1879 and now owned by Jim Earle in Texas." While we have seen other Hickok weapons that are likely authentic, it is extremely rare to find such an excellent provenance on one of the West's most important icons.

Footnotes

"His skill in the use of the rifle and pistol was unerring; while his deportment was exactly the opposite of what might be expected from a man of his surroundings. It was entirely free from all bluster or bravado. He seldom spoke of himself unless requested to do so. His influence was unbounded, his word was law." -General George Armstrong Custer on "Wild Bill" Hickok.

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£600 - £800Follow Toile d'Alsace 'Le Bal', large cotton fabric depicting scenes from a lavish masked ball, based on a design by the Mulhouse wallpaper designer George Zipélius, [Mulhouse, c.1845]Toile d'Alsace 'Le Bal', large cotton fabric depicting scenes from a lavish masked ball, based on a design by the Mulhouse wallpaper designer George Zipélius, [Mulhouse, c.1845]

Toile d'Alsace 'Le Bal', large cotton fabric depicting scenes from a lavish masked ball, based on a design by the Mulhouse wallpaper designer George Zipélius, [Mulhouse, c.1845]

Offered without reserve £800 - £1,200Follow Buddhist narrative scroll A large painted scroll depicting multiple scenes from the legend of the Buddhist monk Phra Malai, and his journey to the underworld, Thailand (?or Laos), late 19th/early 20th CenturyBuddhist narrative scroll A large painted scroll depicting multiple scenes from the legend of the Buddhist monk Phra Malai, and his journey to the underworld, Thailand (?or Laos), late 19th/early 20th Century

Buddhist narrative scroll A large painted scroll depicting multiple scenes from the legend of the Buddhist monk Phra Malai, and his journey to the underworld, Thailand (?or Laos), late 19th/early 20th Century

Offered without reserve £1,500 - £2,500Follow Toile de Normandie 'Scène de harem' or Harem scene, large cotton fabric depicting scenes from an "Ottoman" harem, [Mulhouse, Daniel Koechlin-Ziegler, c.1835] (10)Toile de Normandie 'Scène de harem' or Harem scene, large cotton fabric depicting scenes from an "Ottoman" harem, [Mulhouse, Daniel Koechlin-Ziegler, c.1835] (10)

Toile de Normandie 'Scène de harem' or Harem scene, large cotton fabric depicting scenes from an "Ottoman" harem, [Mulhouse, Daniel Koechlin-Ziegler, c.1835] (10)

Offered without reserve £1,500 - £2,500Follow Japanese calico trade catalogue A scarce Japanese makimono trade catalogue of designs for calico textile patterns, Edo Period/late eighteenth centuryJapanese calico trade catalogue A scarce Japanese makimono trade catalogue of designs for calico textile patterns, Edo Period/late eighteenth century

Japanese calico trade catalogue A scarce Japanese makimono trade catalogue of designs for calico textile patterns, Edo Period/late eighteenth century

£1,500 - £2,500Follow Toile de Nantes 'Le mouton chéri', large roller-printed cotton fabric representing pastoral scenes, [Nantes, Favre & Petitpierre & Cie, c.1785]; together with 4 smaller pieces (5)Toile de Nantes 'Le mouton chéri', large roller-printed cotton fabric representing pastoral scenes, [Nantes, Favre & Petitpierre & Cie, c.1785]; together with 4 smaller pieces (5)

Toile de Nantes 'Le mouton chéri', large roller-printed cotton fabric representing pastoral scenes, [Nantes, Favre & Petitpierre & Cie, c.1785]; together with 4 smaller pieces (5)

Offered without reserve £800 - £1,200Follow Delhi School - trades A pair of watercolours depicting a handloom weaver, and a rope maker, both depicted at work with the instruments of their trades, [c.1835]Delhi School - trades A pair of watercolours depicting a handloom weaver, and a rope maker, both depicted at work with the instruments of their trades, [c.1835]

Delhi School - trades A pair of watercolours depicting a handloom weaver, and a rope maker, both depicted at work with the instruments of their trades, [c.1835]

£1,000 - £1,500Follow POSTCARDS – THE HOUSE THAT MAN BUILT & PARLIAMENT One complete series, plus others (32)POSTCARDS – THE HOUSE THAT MAN BUILT AND PARLIAMENT One complete series, plus others on a similar theme

POSTCARDS – THE HOUSE THAT MAN BUILT AND PARLIAMENT One complete series, plus others on a similar theme

£300 - £500Follow SUFFRAGE CERAMICS Ceramic tobacco or biscuit jar and a crested ware bell (2)SUFFRAGE CERAMICS Ceramic tobacco or biscuit jar; and a souvenir crested bell

SUFFRAGE CERAMICS Ceramic tobacco or biscuit jar; and a souvenir crested bell

£200 - £300Follow POSTCARDS - WSPU PORTRAITS 40 photographic portrait postcards of members of the WSPU (40)POSTCARDS - WSPU PORTRAITS Collection of 40 photographic portrait postcards of members of the WSPU, [c.1908-1914]

POSTCARDS - WSPU PORTRAITS Collection of 40 photographic portrait postcards of members of the WSPU, [c.1908-1914]

£600 - £800Follow BILLINGTON-GREIG (TERESA) The Militant Suffrage Movement, [1911]--SNOWDEN (ETHEL) The Feminist Movement, [1912] (2)BILLINGTON-GREIG (TERESA) The Militant Suffrage Movement, [1911]--SNOWDEN (ETHEL) The Feminist Movement, [1912]

BILLINGTON-GREIG (TERESA) The Militant Suffrage Movement, [1911]--SNOWDEN (ETHEL) The Feminist Movement, [1912]

£200 - £300Follow POSTCARDS - MISCELLANEOUS Collection of 86 photographic and comic postcards (86)POSTCARDS - MISCELLANEOUS Collection of 86 photographic and comic postcards on various themes

POSTCARDS - MISCELLANEOUS Collection of 86 photographic and comic postcards on various themes

£800 - £1,200Follow SUFFRAGE CERAMIC MATCH HOLDER An 'Old Maid' suffragette, Germany, [c.1910]SUFFRAGE CERAMIC MATCH HOLDER An 'Old Maid' suffragette, Germany, [c.1910]

SUFFRAGE CERAMIC MATCH HOLDER An 'Old Maid' suffragette, Germany, [c.1910]

£600 - £800Follow CLAXTON (FLORENCE) The Adventures of a Woman in Search of Her Rights, Boston & NY, [1871]--The Biddie Book, Chicago, 1897 (2)CLAXTON (FLORENCE) The Adventures of a Woman in Search of Her Rights, Boston & NY, [1871]--The Biddie Book, Chicago, 1897

CLAXTON (FLORENCE) The Adventures of a Woman in Search of Her Rights, Boston & NY, [1871]--The Biddie Book, Chicago, 1897

£400 - £600

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