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Download Free PDFDong Son Culture.pdfProfile image of Miriam StarkMiriam Stark

2012, The Oxford Companion to Archaeology (Second Edition) Ed: Neil A. Silberman

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This entry describes the Southeast Asian Dong Son culture, known for its large bronze drums (and with parallels in SW China).

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Hieroglyphs on Dong Son drums relate to moltencast metal and other metalwork -- arka 'sun' rebus: eraka 'molten, cast as metal'; kanasi 'comb'; rebus: kã̄sī 'gong'; ranku 'antelope' rebus: ranku 'tin'; meNDaka 'frog' rebus: meD 'iron'; gaNDA 'four' rebus: kanda 'fire-altar'Srini Kalyanaraman

See: http://bharatkalyan97.blogspot.in/2015/02/archaeometallurgy-of-cire-perdue-lost.html http://bharatkalyan97.blogspot.in/2015/02/maritime-meluhha-tin-road-links-far.html The finds of Dong Son bronze drums in an extensive area of Southeast Asia -- extending from salween river valley in Burma to the Island of New Guina -- is evidence of the renown achieved by skilled cire perdue bronze casters of Dong Son culture. The finds also evidence the fact that the drums were involved in maritime Trans-Asiatic trade exchanges. Dong Son bronze drums have been found in Mekong river valley dated to ca. 4th centiry BCE. Bronze drums called Ningdong in China are in shape comparable to the Dong Son bronze drums. See the use of the drum by a community and listen to the sound the produces in a video. https://www.youtube.com/watch?v=2KHNetjx6D8 [丽哉勐僚 720HD] 01 - 宁董 - 壮族铜鼓文化 (1/2) Chinese Civilization Channel 2 HD Published on May 30, 2012 In the Island of Alor in Indonesia, comparable drums have been found in ceremonial exchanges. These drums are called Moko drums. Moko drum. Jared Diamond rightly notes the significance of the find in New Guinea of a Dong Son bronze drum. The find is a proof of trade connections - spanning at least the past thousand years - between this region of Red River valley of northern Vietnam and China/Java. (Diamond, Jared (1997). Guns, Germs, and Steel - The Fate of Human Societies. New York: W. W. Norton & Co. p. 307).

downloadDownload free PDFView PDFchevron_rightNine remarkable conclusions from the new book on the origin of the Dong Son drumduc ta

The paper highlights nine remarkable conclusions from a new book on the origin of the Dong Son/Heger I bronze drum that has been published in Vietnam, both in Vietnamese and English.

downloadDownload free PDFView PDFchevron_rightGong Culture: A Survey of East Asian Gong TraditionsDavid J. Simons

The Gong is a medium for societies and individuals to gather together, reaffirm their shared connection, and through music, sound, and ritual approach their deities, demons and mythologies. "The concept of sound as a way to let the spirit world know you are around is found in many cultures" (Brooks). The Gong is also a measure of time: cycles within the day (when the clock strikes), and cycles of musical time. "It occasionally has been recognized, but not adequately explored, that cyclic principles underlie nearly all gong ensemble music in Java, not just gamelan music" (Goldsworthy). Gong is an entrance, and gong signifies the end. Gong is reverence, and yet in the wrong place the gong is foolish, pretentious and mocking. The word Gong is supposed to have come from Java; the name is also its sound. (Brinner). This paper will examine and trace gong cultures in Asia that emanated from China with the development of iron and bronze, and traveled through the countries known as Vietnam, Cambodia, Thailand, Burma , Malaysia and Indonesia, and if we are to make a full circle, (in the shape of a gong) up to the Philippines and Korea. Each of these modern countries have traditions that predate Western intervention. Some of these traditions are kept alive by semi-isolated minority tribal groups (Vietnam), while others are world renown as tourist destinations because of their gong culture (Bali). The scope of Gong Culture study would touch upon territories as vast as

downloadDownload free PDFView PDFchevron_rightMoving the Living and the Dead The Power of Bronze Drums in Contemporary Ethnic ChinaWilliam Nitzky

Asian Ethnology, 2022

The bronze drum in Asia has long been regarded as a form of antiquity and a cultural relic of the bronze age, representative of cultural groups found in China, Vietnam, Laos, and Myanmar's border region. Through a close examination of bronze drum culture among the Baiku Yao ethnic minority of northwest Guangxi Zhuang Autonomous Region, in southern China, this article reveals the constitutive role drums play in contemporary social and religious life. This article draws on eight years of ethnographic data and builds on a material culture studies analytical framework to describe the sacralized life of the bronze drum. Through a ritualized anthropomorphic metamorphosis, the bronze drum is said to become a constituted member of the Baiku Yao community and hold sacred power to bridge the human and spirit worlds during funeral ceremonies. This article analyzes the symbolic dimensions of the bronze drum as a cultural practice and as a medium through which Baiku Yao ritual order, social organization and arrangements, and interactions with the spirit world can be understood. It reveals that bronze drums today possess agency in their power to move people, living and dead. https://asianethnology.org/articles/2384

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Asian Perspectives Honolulu, Hawaï, 1983

Etude de quelques centres de la culture Dongson au Vietnam(Age des métaux). Description du développement de trois centres principaux: dans le Vietnam nord, culture de Dong Son sur les côtes du centre du Vietnam, culture de Sahuynh| dans le sud Vietnam, culture de ...

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“Contact Zones & Colonialism in China's South” Pennsylvania State University, May 10-12, 2019, 2019

This presentation provides linguistic, archaeological (material culture, genetic, and dental/cranial), and ethnonym data to explore possible language scenarios of the Dong Son culture (600 BCE to 200 CE) in the Red River Delta. The most well-supported scenario is one in which Austroasiatic was present in the RRD from 4000 BP, and that by the Dong Son, Vietic was the dominant language group spoken there, but there is substantial evidence of a Tai presence and Tai-Vietic contact, though the details of such contact remains unclear.

downloadDownload free PDFView PDFchevron_rightBook Review of 'The People Between the Rivers: The Rise and Fall of a Bronze Drum Culture, 200 - 750 CE', by Catherine ChurchmanFrancis Allard

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Southeast Asian StudiesSoutheast AsiaSouth East Asian ArchaeologySoutheast Asian ArchaeologyChiefdoms (Archaeology)Southeast Asian historyIron AgeChinese and Southeast Asian Art ...Vietnamese studiesPacific and Island Southeast Asi...
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