G.I. Joe: Deep Terror By Chuck Dixon - Goodreads
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Caleb Threatts2 reviewsFollowFollowJune 28, 2017It was a pretty long book for a comic. Although, it was a book I liked their was a riot, a rescue mission and more. It was a nice comic to read.
Don1,483 reviews11 followersFollowFollowDecember 31, 2020This started off slow but got better as it went. It served as a good bridge between major story arcs. Lots fell into place and is setup well. Looking forward to the next collection.
Jacob1,722 reviews7 followersFollowFollowJanuary 29, 2013Public library copy.This was one of the better Joe adventures I've read of late, most of it took place in a mine where escape and rescue missions were at hand. I'm really not current with the Joe continuity, I guess certain characters with Joe code-names must have gotten killed off and transgendered into current continuity. Displaying 1 - 3 of 3 reviews
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G.I. Joe IDW vol. 2 (collected editions) #6
G.I. Joe: Deep TerrorChuck Dixon, Alex Cal (Illustrator), Will Rosado (Illustrator)
3.30Want to ReadBuy on AmazonRate this bookCollects G.I. Joe Ongoing V.2 #13-17.COBRA is digging a miles-deep shaft in the Patagonian wilderness and what they're digging for could change the world forever and NOT in a good way. G.I. JOE is looking for payback after recent events but will the cuts to their operating budget allow for a mission to the bottom of the world?- GenresComicsGraphic Novels
124 pages, Paperback
First published November 27, 2012
Book details & editionsAbout the author

Chuck Dixon
3,426 books1,026 followersFollowFollowCharles "Chuck" Dixon is an American comic book writer, perhaps best-known for long runs on Batman titles in the 1990s.His earliest comics work was writing Evangeline first for Comico Comics in 1984 (then later for First Comics, who published the on-going series), on which he worked with his then-wife, the artist Judith Hunt. His big break came one year later, when editor Larry Hama hired him to write back-up stories for Marvel Comics' The Savage Sword of Conan.In 1986, he began working for Eclipse Comics, writing Airboy with artist Tim Truman. Continuing to write for both Marvel and (mainly) Eclipse on these titles, as well as launching Strike! with artist Tom Lyle in August 1987 and Valkyrie with artist Paul Gulacy in October 1987, he began work on Carl Potts' Alien Legion series for Marvel's Epic Comics imprint, under editor Archie Goodwin. He also produced a three-issue adaptation of J. R. R. Tolkien's The Hobbit for Eclipse with artist David Wenzel between 1989 and 1990, and began writing Marc Spector: Moon Knight in June 1989.His Punisher OGN Kingdom Gone (August, 1990) led to him working on the monthly The Punisher War Journal (and later, more monthly and occasional Punisher titles), and also brought him to the attention of DC Comics editor Denny O'Neil, who asked him to produce a Robin mini-series. The mini proved popular enough to spawn two sequels - The Joker's Wild (1991) and Cry of the Huntress (1992) - which led to both an ongoing monthly series (which Dixon wrote for 100 issues before leaving to work with CrossGen Comics), and to Dixon working on Detective Comics from #644-738 through the major Batman stories KnightFall & KnightsEnd (for which he helped create the key character of Bane), DC One Million , Contagion , Legacy , Cataclysm and No Man's Land . Much of his run was illustrated by Graham Nolan.He was DC's most prolific Batman-writer in the mid-1990s (rivalled perhaps in history by Bill Finger and Dennis O'Neil) - in addition to writing Detective Comics he pioneered the individual series for Robin , Nightwing (which he wrote for 70 issues, and returned to briefly with 2005's #101) and Batgirl , as well as creating the team and book Birds of Prey .While writing multiple Punisher and Batman comics (and October 1994's Punisher/Batman crossover), he also found time to launch Team 7 for Jim Lee's WildStorm/Image and Prophet for Rob Liefeld's Extreme Studios. He also wrote many issues of Catwoman and Green Arrow , regularly having about seven titles out each and every month between the years 1993 and 1998.In March, 2002, Dixon turned his attention to CrossGen's output, salthough he co-wrote with Scott Beatty the origin of Barbara Gordon's Batgirl in 2003's Batgirl: Year One. For CrossGen he took over some of the comics of the out-going Mark Waid, taking over Sigil from #21, and Crux with #13. He launched Way of the Rat in June 2002, Brath (March '03), The Silken Ghost (June '03) and the pirate comic El Cazador (Oct '03), as well as editing Robert Rodi's non-Sigilverse The Crossovers. He also wrote the Ruse spin-off Archard's Agents one-shots in January and November '03 and April '04, the last released shortly before CrossGen's complete collapse forced the cancellation of all of its comics, before which Dixon wrote a single issue of Sojourn (May '04). Dixon's Way of the Rat #24, Brath #14 and El Cazador #6 were among the last comics released from the then-bankrupt publisher.On June 10, 2008, Dixon announced on his forum that he was no longer "employed by DC Comics in any capacity."Ratings & Reviews
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Caleb Threatts2 reviewsFollowFollowJune 28, 2017It was a pretty long book for a comic. Although, it was a book I liked their was a riot, a rescue mission and more. It was a nice comic to read.
Don1,483 reviews11 followersFollowFollowDecember 31, 2020This started off slow but got better as it went. It served as a good bridge between major story arcs. Lots fell into place and is setup well. Looking forward to the next collection.
Jacob1,722 reviews7 followersFollowFollowJanuary 29, 2013Public library copy.This was one of the better Joe adventures I've read of late, most of it took place in a mine where escape and rescue missions were at hand. I'm really not current with the Joe continuity, I guess certain characters with Joe code-names must have gotten killed off and transgendered into current continuity. Displaying 1 - 3 of 3 reviewsJoin the discussion
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