Oscar Nominated Latino Animators On Change In Hollywood

Worlds of wonder have materialized in every frame of animated productions for a century, but it’s only in recent years that these realms — and the people who conjure them up — have begun to reflect a wider spectrum of racial and ethnic identities, cultures and lived experiences.

In a striking sign of progress, three of the five films Oscar-nominated for animated feature this year include Latino talent in top creative and leadership roles. That makes it the category with the most Latino representation among its nominees.

Four of these Latino artists based in Los Angeles spoke about their distinct entryways into the medium with The Times: Phil Lord, one of the producers of “The Mitchell vs. The Machines”; Yvett Merino, producer on “Encanto”; Carlos López Estrada, co-director of “Raya and the Last Dragon”; and Charise Castro-Smith, co-screenwriter/co-director of “Encanto.”

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Although their collective range of previous endeavors includes live-action filmmaking, administrative duties and acting, all four creatives have found an artistic home in the boundless possibilities of animation.

Music

We should talk about history-making, Oscar-nominated ‘Encanto’ composer Germaine Franco

Franco is the first Latina and first woman of color ever to be nominated for original score at the Academy Awards.

March 22, 2022

For some, finding success in film or television seemed unrealistic early on, while others couldn’t imagine doing anything else. They all agree, however, that the entertainment industry’s solutions to diversify the creative pool remain insufficient.

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