PHY 382/PHI 382 - Spring 2008 - Stony Brook University
PHI 382 / PHY 382 - Spring 2008
Prof. Robert P. Crease Prof. Alfred Scharff Goldhaber
Physics P127 (note change in location) W 5:20-8:10
Course Description
This course explores the implications and influence, real and alleged, of quantum mechanics on fields other than physics. Our title was inspired by an exhibition and book, entitled "The Newtonian Moment," that charted a 250-year period during which ripples from Newton's discoveries, especially in mechanics and gravity, radiated out first to a small school of specialists, and then in successively larger circles, eventually penetrating all niches of human life from art to commerce. It is now over 80 years since the inception of quantum mechanics, and 100 years since a crucial contribution by Einstein to its foundations, and it seems worthwhile to look at what kinds of ripples have come from a development in some ways much more startling and hard to swallow than Newton's work. What have been the reactions to quantum mechanics in worlds outside the physical sciences? How, if at all, have such reactions reflected back on what hard-core practitioners in this field do... and think about what they do?
Such questions will be at the focus of this course. How has quantum mechanics permeated culture to offer what seem to be significant new perspectives on the human condition? What does it mean, if anything, for philosophy, ethics, biology, and social behavior? We shall explore how quantum mechanics fits, or does not fit, with traditional models of science, and with more recent accounts such as social constructivism. We shall discuss some of the important debates at the founding of quantum mechanics, such as the Einstein-Bohr debate on the possibility of hidden variables, the Bohr-Heisenberg debate on the interpretation of complementarity, and the probabilistic interpretation of quantum mechanics. We shall look into the "double- slit" experiment with single electrons, the "most beautiful experiment in science." We may also discuss such issues as nonlocality, hidden variables, new dimensions of the debate of free will versus determinism, scientific perception and measurement theory. Required and suggested readings include texts that claim to find a connection between quantum mechanics and Faulkner's novels, surrealist paintings, Christian thought, Eastern mysticism, and the theatre of Bertolt Brecht and Richard Foreman. The course will not involve technical mathematics. The introduction to quantum mechanics provided by the instructors will be aimed at non-science students. Besides readings, the course will also involve plays including Copenhagen, films, and guest speakers.
One purpose of this course is to seek out appearances of quantum mechanics that are recent or unknown to us. Each student will be expected, every other week, to hunt down and bring in a reference to quantum mechanics in some context outside physics, and to say a few words about the source and context. Students will be expected to work on a final project, to be presented in class.
Syllabus
The nature of physics and of philosophy, and of the challenges posed by quantum mechanics to each.
The physics and philosophy of motion and mechanics in the Aristotelian world, and in the Newtonian world. Special emphasis on the Newtonian understanding of light and its behavior.
Required reading:
What have philosophers made of complementarity and quantum mechanics? Why has complementarity attracted mystics?
Required reading:
Suggested reading:
The emergence of a crisis in understanding black-body radiation. How understanding light became an apparently insoluble problem in Newtonian terms. How Planck proposed the quantum idea, how it lay fallow for 5 years, how Einstein nurtured it. Its puzzles lie latent.
Required reading:
ADDITIONAL READING
Suggested reading:
Requirement: Title and 1-paragraph description of a tentative final project idea.
The development of quantum mechanics: Heisenberg and Matrices, Schrödinger and waves, the Einstein-Bohr debate, the uncertainty principle. The puzzles become explicit.
Required reading:
Suggested reading:
The "most beautiful experiment in science" and the mystery it creates. Various ways that try to eradicate the mystery, and why they all fail.
Required reading:
Suggested Reading:
Requirement: 1-page description of final project.
The different ways to interpret the meaning of it all. Do we even need to? Why or why not?
Required reading:
Suggested reading:
Discussion of Michael Frayn's play, Copenhagen.
Required reading:
Requirement: First draft, or equivalent form for other type of presentation, of final project.
Quantum mechanics in art, music, literature, religion, etc.
Required readings:
Suggested readings:
Social constructivism and its interpretation of quantum mechanics.
Guest: Paul Forman
Suggested readings:
Continuation of the April 9 theme.
All students have to work on a project, either individually or in collaboration. This project cannot be on one of the required readings (it may involve a suggested reading), and must explore some implication of quantum mechanics for philosophy, culture, or life. A starting point can be found in Brush's The History of Modern Science, essentially an extensive bibliography, though we hope students will find other sources. A project may consist of a summary and evaluation of a reading on the subject that we have not discussed. Or it may consist of discovering other kinds of influences of quantum mechanics: on literature or art, for instance. Or it may consist of producing an illustration of quantum mechanical principles in some arena other than physics -- say, a musical analogue of the double- slit experiment in which discernable rhythms eventually emerge out of randomly produced notes. Or it may consist of works -- music, fiction -- inspired by your perceptions of the quantum concept.
We encourage you to start working on the project as early as possible. Its form will be determined by agreement between student and instructors. You must provide the instructors with a title and 1- paragraph description by February 27, a 1-page description by March 12, a first draft (or appropriate form for non-written work) by April 2, leaving room for further development before in-class presentations on April 30 and May 7. You are encouraged to discuss your thoughts with the instructors at all stages
Continuation of April 30.
Books
The required articles will be handed out, or left in either the Philosophy or Physics offices for students to copy. The following books are to be purchased:
Course Structure
For most classes, the instructors -- or a guest speaker -- will speak for the first half, followed by a break for dinner, and on our return students will present and discuss material. The material discussed by the students may be part of the assigned readings for that week, a suggested reading for that week, or another reading suggested by the student that has been approved by the instructors.
Requirements
You are required to attend all classes, and to participate in the discussions. Frequent discussions, attention to notices on the course website, and postings through Blackboard may be required. You must complete the readings on time, by the date listed on the syllabus. You are responsible for making up any work missed for any reason. Grading is based on class participation, class presentation, and the course project.
Disability Support Services (DSS) Statement
If you have a physical, psychological, medical, or learning disability that may impact your course work, please contact Disability Support Services (631) 632-6748 or http://studentaffairs.stonybrook.edu/dss/. They will determine with you what accommodations are necessary and appropriate. All information and documentation is confidential. Students who require assistance during emergency evacuation are encouraged to discuss their needs with their professors and Disability Support Services. For procedures and information see: http://www.stonybrook.edu/ehs/fire/disabilities/asp.
Academic Integrity Statement
Each student must pursue his or her academic goals honestly and be personally accountable for all submitted work. Representing another person's work as your own is always wrong. Faculty are required to report any suspected instance of academic dishonesty to the Academic Judiciary. For more comprehensive information on academic integrity, including categories of academic dishonesty, please refer to the academic judiciary website at http://www.stonybrook.edu/uaa/academicjudiciary/
Critical Incident Management
Stony Brook University expects students to respect the rights, privileges, and property of other people. Faculty are required to report to the Office of Judicial Affairs any disruptive behavior that interrupts their ability to teach, compromises the safety of the learning environment, and/or inhibits students' ability to learn.
Blackboard
Access class information on-line at: http://blackboard.sunysb.edu. If you used Blackboard in the Fall, your login information is unchanged. If you've never used Blackboard, your initial password is your SOLAR ID# and your username is your SBU (sparky) username, generally your first initial and the first 7 letters of your last name. For help or more information see: http://www.sinc.sunysb.edu/helpdesk/docs/blackboard/bbstudent.php For problems logging in, go to the helpdesk in the Main Library SINC Site or the Union SINC Site, or call 631-632-9602 or e-mail [email protected]
Grading
Students will be graded 50% on their project (including descriptions, presentation, and final submitted form), and 50% on class participation, including seminar presentations and discovered references to quantum mechanics "in the wild."
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