Piano Sonata In C Major, Hob XVI:48 (Haydn) - Hyperion Records
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Don't show me this message again Track(s) taken from CDA67710Digital booklet (PDF)Piano Sonata in C major, Hob XVI:48
composer Joseph Haydn (1732-1809) published in 1789 by BreitkopfMarc-André Hamelin (piano)
Download all MP3£2.30 Download all FLAC£2.30 Download all ALAC£2.30 View whole album Recording details: August 2008 Henry Wood Hall, London, United Kingdom Produced by Andrew Keener Engineered by Simon Eadon Release date: August 2009 Total duration: 12 minutes 19 seconds Cover artwork: Portrait of Joseph Haydn engraved by F A Andorff by Carl JägerThe Cobbe Collection Trust, UK / Bridgeman Images
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Reviews
‘One of the outstanding releases of the Haydn celebratory year’ (International Record Review) ‘A marvellously polished collection of performances … he is a model of correctness, with enough wit, exuberance and the most exquisite lightness of touches to keep the music buoyant’ (The Guardian) ‘Hamelin is most associated with virtuoso fireworks for piano, but he can also miniaturise himself exquisitely to suit Haydn's wit and elegance … the spring in his fingers is delightful’ (The Times) ‘As always, Haydn's originality astonishes and delights in his piano music as much as in his symphonies and string quartets. Hamelin revels in the tongue-in-cheek high jinks of the finale to the E minor sonata (No 34) … and is especially compelling in the great C major (No 48) … works that rank with the finest creations of the Viennese Classical period. An unmissable bargain at two-discs-for-the-price of one’ (The Sunday Times) ‘The continuous outpouring of beautiful tone; it's mesmerizing … these performances are beyond criticism’ (Fanfare, USA) ‘They sound absolutely superb, in the right hands, on the modern grand piano. And Marc-André Hamelin has the right hands, as his first two-disc set showed … playing of crisp clarity and deep feeling, superbly recorded’ (Dominion Post, New Zealand) ‘This Hyperion double set contains some of the finest performances of Haydn sonatas I have heard. Hamelin's playing overflows with ardent lyricism and I especially enjoyed his naturalness of rubato. The close sound quality from the Henry Wood Hall is impressive and the booklet essay by Richard Wigmore is helpful too’ (MusicWeb International)Introduction
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from notes by Richard Wigmore © 2009


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Peter Donohoe turns his attentions—not to mention his commanding pianism and stylistic versatility—to the keyboard works of Haydn, still somewhat neglected despite (or perhaps because of) their seminal position in the evolution of the Classical so ...» More