Quan Họ - Wikipedia

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Appearance move to sidebar hide From Wikipedia, the free encyclopedia Vietnamese folk music

You can help expand this article with text translated from the corresponding article in Vietnamese. (June 2020) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Vietnamese Wikipedia article at [[:vi:Quan họ]]; see its history for attribution. You may also add the template {{Translated|vi|Quan họ}} to the talk page. For more guidance, see Wikipedia:Translation.

Quan họ (Vietnamese: [kwaːnhɔ̂ˀ]) singing is a Vietnamese folk music style characterized both by its antiphonal nature, with alternating groups of female and male singers issuing musical challenges and responses. Quan họ is common in rituals and festivals, and a common theme in many songs is love and sentimentality as experienced by young adults.[1] Quan họ river as a UNESCO Intangible Cultural Heritage practice in 2009.[2]

The quan họ style originated in what is now Bắc Ninh Province and was first recorded in the 13th century[citation needed], and has traditionally been associated with the spring festivals that follow the celebration of Tết Nguyên Đán (the Vietnamese New Year). Historically, the singing began on the evening before the festival, but today it is much more common for the singing to occur on the main day of the festival. In general, an initial "challenge phrase" (câu ra) from the known body of songs is sung by a pair of female singers, following which a pair of male singers will respond by selecting and singing a "matching phrase" (câu đối), which must repeat the melody of the challenge phrase. Once they are finished, the order is reversed, and the men will issue their own challenge phrase with a different melody. While in the past the singing was unaccompanied, it is common today for the singers to be accompanied by instruments, whether traditional Vietnamese instruments or modern ones such as electric keyboards.[1]

There are a large number of quan họ melodies, with thousands of different songs having been recorded and written down in score form. A simpler variant of response song, allowing spoken responses and sung by boys and girls at village festivals is trống quân singing.

References

[edit]

1. ^ a b "Quan Họ Singing in Ritual-festivals in Bắc Ninh Region (Vietnam)". Archived from the original on 2003-08-08. Retrieved 2007-07-23.
2. ^ UNESCO Culture Sector - Intangible Heritage - 2003 Convention :

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v t e UNESCO Oral and Intangible Heritage of Humanity: Music
Aka polyphony Albanian folk iso-polyphony Angklung Aqyn Arabic maqam Arirang Ashiqs of Azerbaijan Azerbaijani tar Baul music Bećarac Bigwala Biyelgee Bistritsa Babi Bumba-meu-boi from Maranhão Byzantine music Dainichido Bugaku Beijing opera Candombe Cante Alentejano Cantonese opera Cantu a tenore Ca trù Cremona violins Doina Duduk Eshuva Fado Frevo Fujara Gagaku Gagok Garifuna music Georgian vocal polyphony Gong culture Guqin Gwoka Hua'er Hudhud chants Jongmyo Jereyak Iraqi Maqam Istrian scale Kgal Laox Khuumii Klapa Koodiyattam Khorasan Bakhshi Kumi odori Kunqu Lhamo Long song Maloya Meshrep Morin khuur Mugham Muqam Nanyin Nhã nhạc Nongak Ojkanje singing Pansori Pirekua Quan họ Qudud Halabiya Radif Reggae Rebetiko Sama Samba de roda Seto Leelo Shashmaqam Silbo Gomero Slovácko Verbuňk Song of Sana'a Sosso Bala Sutartinės Táncház The Song of the Sibyl Tumba francesa Vallenato Vedic chant Wayang kulit Xi'an guyue Xoan singing

v t e Folk and indigenous music
Music on the World Register of Intangible Cultural Heritage
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Related articles	20th-century Western folk music Acoustic music Filk music Festivals Folk clubs Folk dance Instruments List Collections Roud number Child Laws numbers Outlaw country Progressive rock Pub session Record labels Roots revival World music Worldbeat History of music

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