Trinh Minh-ha - UC Berkeley, Rhetoric Department

Skip to main content

• Home
• Trinh Minh-ha

Trinh Minh-ha Title: Distinguished ProfessorBio:

Born in Vietnam, Trinh T. Minh-ha is a filmmaker, writer and music composer. Her works include: eight films • Forgetting Vietnam (90 mins, 2015) • Night Passage (98mins narrative, 2004) • The Fourth Dimension (87 min Digital Video, 2001), • A Tale of Love (108 mins, 1995), an experimental narrative, • Shoot for the Contents (102 mins, 1991), a film on culture, art and politics in China, • Surname Viet Given Name Nam (108 mins, 1989), a film on identity and culture through the struggle of Vietnamese women, • Naked Spaces – Living is Round (135 mins, 1985), and • Reassemblage (40 mins, 1982); twelve books, including Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere Within Here(Immigration, Refugeeism and The Boundary Event, 2010); The Digital Film Event (2005), Cinema Interval (1999), Framer Framed (on film, 1992), When the Moon Waxes Red, (on representation, gender and cultural politics, 1991), Woman, Native, Other (on post-coloniality and feminism, 1989), En minuscules (poems, 1987), and in coll. with Jean-Paul Bourdier, A World in Dwelling (2011), Habiter un monde (Paris, 2005), Drawn from African Dwelling (1996), African Spaces – Designs for Living in Upper Volta (1985); and four large-scale multi-media installations, • Nothing But Ways (in coll. with L M Kirby, 1999, Yerba Buena Center for the Arts, San Francisco), • The Desert is Watching (in coll. with Jean-Paul Bourdier, 2003, Kyoto Art Biennale), • L’Autre marche (The Other Walk) June 2006 until 2009 at the new Musée du Quai Branly in Paris (France, also in coll. with J-P Bourdier), and • Old Land New Waters that was commissioned for the opening of the Okinawa Fine Arts Museum in November 2007; exhibited anew in 2009 and was also showing at the Guangzhou Art Triennial in China (Sept 6 to Nov 16, 2008).

The recipient of numerous awards and grants (including the 2014 Wild Dreamer Lifetime Achievement Award from the Subversive Festival in Zagreb, Croatia; the 2012 Women’s Caucus for Art Lifetime Achievement Award; the “Trailblazers” Award at MIPDOC, Cannes; AFI National Independent Filmmaker Maya Deren Award, fellowships from the Guggenheim Foundation, the National Endowment of the Arts, the Rockefeller Foundation, the American Film Institute, The Japan Foundation, and the California Arts Council), her films have been given over fifty two retrospectives in Argentina, Croatia, Columbia, Mexico, Finland, Brazil, Canada, Italy, Korea, Spain, the Netherlands, Slovenia, France, Germany, Switzerland, Austria, Japan, India, Taiwan, Hong Kong, Australia, the UK, the US, and were exhibited at the international contemporary art exhibition Documenta 11 (2002) in Germany. They have shown widely in the States, in Canada, Senegal, Australia, and New Zealand, as well as in Europe and Asia (including in Italy, Belgium, Spain, Sweden, Finland, Japan, India, Taiwan, Jerusalem. Reassemblage was initially exhibited at The New York Film Festival (1983) and had toured the country with the Asian American Film Festival among numerous other festivals. Naked Spaces received the Blue Ribbon Award for Best Experimental Feature at the American Int’l. Film Festival and the Golden Athena Award for Best Feature Documentary at the Athens International Film Festival in 1986; it toured nationally and internationally with the 1987 Biennial of the Whitney Museum of American Art. Surname Viet Given Name Nam has received the Merit Award from the Bombay International Film Festival, the Film as Art Award from the Society for the Encouragement of Contemporary Art (SF Museum of Modern Art) and the Blue Ribbon Award at the American Film and Video Festival. Shoot for the Contents won the Jury’s Best Cinematography Award at the 1992 Sundance Film Festival and the Best Feature Documentary Award at the Athens International Film Festival, and toured internationally with the 1993 Biennale of the Whitney Museum. A Tale of Love showed internationally in over twenty-four film festivals, including Berlin and Toronto. The Fourth Dimension (Locarno, Viennale, Edinburg, London) and Night Passage continue to exhibit widely (UK, Austria, Spain, Japan, Korea, Shanghai).

Trinh Minh-ha has traveled and lectured extensively—in the States, as well as in Europe, Asia, Australia and New Zealand—on film, art, feminism, and cultural politics. She taught at the National Conservatory of Music in Dakar, Senegal (1977-80); at universities such as Cornell, San Francisco State, Smith, and Harvard, Ochanomizu (Tokyo), Ritsumeikan (Kyoto), Dongguk (Seoul); and is a Distinguished Professor of the Graduate School in the departments of Gender & Women’s Studies and of Rhetoric at the University of California, Berkeley.

PhD, Illinois

Research interests:

Postcolonial TheoryFilm Theory and (De)AestheticsFrench Cinema, Third Cinema and Avant-Garde CinemaDocumentary, Ideology and FilmFilm and Video ProductionFeminist TheorySocial, Art and Literary TheoryContinental Philosophy, 
Eastern PhilosophyMusic Composition, Ethnomusicology, Cultural AnthropologyVisual Culture and Cultural PoliticsAfrican Studies

Role: Emeriti

Contact

trinh@berkeley.edu 7317 Dwinelle, 630 Barrows Website

Publications

D-Passage: The Digital Way

Trinh Minh-ha Book, 2013

Elsewhere, Within Here: Immigration, Refugeeism and the Boundary Event

Trinh Minh-ha Book, 2010

L’Autre marche (The Other Walk)

Trinh Minh-ha Book, 2009

Old Land New Waters

Trinh Minh-ha Book, 2008

Habiter un monde : Architectures de l’Afrique de l’Ouest

Trinh Minh-ha Book, 2005

The Digital Film Event

Trinh Minh-ha Book, 2005

Bodies of the Desert

Trinh Minh-ha Exhibition, 2005

Night Passage

Trinh Minh-ha Film, 2004

The Desert is Watching

Trinh Minh-ha Exhibition, 2003

Trinh T. Minh-ha: Secession

Trinh Minh-ha Exhibition, 2001

The Fourth Dimension

Trinh Minh-ha Film, 2001

Nothing But Ways

Trinh Minh-ha Exhibition, 1999

Cinema Interval

Trinh Minh-ha Book, 1999

Drawn from African Dwellings

Trinh Minh-ha Book, 1997

Photo-montage

Trinh Minh-ha Exhibition, 1995

A Tale of Love

Trinh Minh-ha Film, 1995

Out There: Marginalisation and Contemporary Culture

Trinh Minh-ha Edited Volume, 1992

Framer Framed

Trinh Minh-ha Book, 1992

Shoot for the Contents

Trinh Minh-ha Film, 1991

When the Moon Waxes Red: Representation, Gender and Cultural Politics

Trinh Minh-ha Book, 1991

Surname Viet Given Name Nam

Trinh Minh-ha Film, 1989

Woman, Native, Other: Writing Postcoloniality and Feminism

Trinh Minh-ha Book, 1989

En minuscules

Trinh Minh-ha Book, 1987

Naked Spaces – Living is Round

Trinh Minh-ha Film, 1985

African Spaces. Designs for Living in Upper Volta

Trinh Minh-ha Book, 1985

Reassemblage

Trinh Minh-ha Film, 1982 All publications