Viking Metal Archives

“I can’t remember the last time Kampfar disappointed me. Grier begins to count his fingers, evaluating every album the band has released since 1997. Oh, that’s right: never. ‘Why are you introducing a TYMHM this way?’ ‘Are you trying to freak me out or bury my hope?’ Maybe. But the real reason is that I’m a dick and I like to fuck with you all.” Honesty is a virtue.

“Calling me a fanboy of Borknagar is an understatement. Because of this, the review of this year’s True North has been one of the toughest yet for ole Grier. That’s why it’s always difficult to trust the opinion of fanboys, starfuckers, or anyone getting financial ‘encouragement’ from a band or label. Wait a second, Grier, did you back yourself into a corner and admit that no one should trust this review? Hell no, plebs. I’m no n00b.” Trve North, trve journalisming.

“If you found a younger version of me anytime from 1991 to about 2013, and asked past me how many albums I wanted to hear similar to Bathory’s mighty Hammerheart release, I would grab you by the throat and scream “ALL OF THEM!” before running into the night to pillage and sack the sackable. The sound and atmosphere of Bathory’s monsterwork was so damn trve, mighty, and metal, how could anyone grow tired of it? Around 2013 however, I did start to grow tired of the style, because so many of the bands attempting it lacked the charisma and gravitas to pull it off properly.” Hammer fail?

“As I sit here with Helheim’s newest album, Rignir, two things occur to me. First, Helheim is the most-consistent band I know. Not only are all their albums good or great but they’ve been releasing a new one every 2-3 years since 1995. Second, I’ve been at AMG far longer than I realized. Having first reviewed this black/Viking metal band back in 2015, Rignir is now the third time I’ve penned some words on their music.” The olde and the reliable.

“What got you here won’t be what gets you there. Vanir know a bit about that. After three doots on the folk metal flute, the Danes bulked up with 2016’s Aldar Rök, adding another axe to the ever-growing Viking metal hordes. I always applaud a pivot; if you’re not improving, you’re dying. But with Vanir’s first attempt not exactly summoning my Bifrost, my expectations for Allfather are tempered.” Northern haze.

Chris Black (A.K.A. Professor Black) is an entire music scene unto himself. He’s played with Pharaoh, Superchrist and Nachtmystium as well as being the founder of Dawnbringer, High Spirits and Aktor. Now he’s releasing not one, not two, but three new albums under the Professor Black brand, all on the same day, all with vastly different styles and intents. Because I’m powerful and full of Viking ape rage, I took Sunrise, which is a lovingly trve ode to Bathory’s Viking era, as well as classic metal artists like Running Wild and W.A.S.P.” Black for the Viking attack.

“I’m a bit of a Johnny-come-lately when it comes to folk. I occupied the Ensiferum / Finntroll bandwagon for a decade, but the Viking folk of Heidevolk came to me as a recent and pleasant surprise. They are not Bathory, not Korpiklaani, not Týr or Vintersorg, but the Dutchmen blend the aesthetics and strengths of each into one cohesive package.” Go folk yourself.

Ereb Altor is a band I’ve reviewed more than almost any other since joining the AMG metal collective in 2010. They’re a prolific bunch and stick to a regular release schedule despite also releasing albums under the moniker Isole, and their material is consistently good if not great. Ulfven is their newest release, following 2016s Blot Ilt Taut which was a series of Bathory covers. This was appropriate as Quorthon has always been the wellspring from which the band draws their inspiration.” Reforge the sword.

“King of Asgard’s brand of Viking-themed, folksy, black metal was praised for its stellar riffing and sword-swinging energy. In light of their tenure, the green light was given to review their new EP, :taudr:. Comprising just five tracks over thirty minutes, I anticipated something sharper than the hour-long albums which are becoming the norm.” Sword swinging and review bringing.

“I think everyone feels a little relief when a year comes to an end. I’m not quite sure why this is—considering that January 1st is just as busy as December 31st—but the phenomenon is real. Be it my real job or my fake one, there’s plenty to get done before the year’s end. Between grading and submitting them, there was still the task of cataloging promos this year’s records and preparing for the Season of Lists.” AMG is the ONLY job!

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