Yimula Munuŋgurr - Djapu - 243 X 17 Cm - 4411-19 - Larrakitj — Art ...

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Back to Art-Aborigene-Yirrkala-sculpture Yimula Munuŋgurr - Djapu - 243 x 17 cm - 4411-19 - Larrakitj (sold) Yimula Munuŋgurr - Djapu - 243 x 17 cm - 4411-19 - Larrakitj Yimula Munuŋgurr - Djapu - 243 x 17 cm - 4411-19 - Larrakitj Yimula Munuŋgurr - Djapu - 243 x 17 cm - 4411-19 - Larrakitj (sold) $1.00

Artiste : Yimula Munuŋgurr

Titre de la sculpture : Djapu

Format : 243 x 17 cm

Pigments naturels sur tronc d'eucalyptus

Provenance et certificat : centre d'art aborigène de Yirrkala

Référence de l'œuvre: 4411-19

Explications pour cette œuvre :

The cross hatching grid pattern is the sacred design for the freshwaters of the Djapu clan at their homeland Wandawuy now an outstation about 150 kilometres south of Yirrkala and inland from Blue Mud Bay. This Djapu clan outstation (and spiritual residence for Ancestral Beings Mäna the Shark and Bol’ŋu the Thunderman) is surrounded by permanent freshwater. Rains inspired by the actions of Bol’ŋu feed the rivers and fill the billabongs. Catfish and mussels, freshwater crayfish and others feed,the Yolŋu and wild life. The waters are home for the shark Mäna. The grid refers to the landscape of Wandawuy- a network of,billabongs surrounded by ridges and high banks. Its structure also having reference at one level to woven fish traps. Ancestral Hunters set a trap here to snare the Shark but to no avail.

The black lines having reference to the trap, the coloured verticals referring to differing states of the freshwater - the source of Djapu soul. At ceremony appropriate participants for mortuary rites enter,the shelter (woven together like the unsuccessful trap) where the deceased has been lying in state. Sacred spears tipped with stingray barbs, ,manifestations of Mäna’s teeth, stand up alongside the shelter. The sacred song cycles of Mäna in the water at Wandawuy are intoned with music from the Yidaki (didjeridu) and Bilma(clapsticks). At the prescribed time at the conclusion of ceremony the dancers crash through the deceased’s shelter imitating the actions of Mäna at the trap. This action has,reference to the release of the deceased’s soul, back to the sacred waters of Wandawuy to be reunited with its ancestors awaiting rebirth. Recent surveys by Anglo scientists in Top End rivers in Kakadu have revealed the existence of a species of shark whose life cycle takes place entirely in the freshwater.

© Photo & text : Aboriginal signature with the courtesy of the artist, & Buku-Larrngay Mulka.

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© Aboriginal Signature Estrangin Gallery - All right reserved. The pictures and text are all copyright and remain the property of the artists.

La galerie Aboriginal Signature Estrangin et son directeur Bertrand Estrangin sont membres de la Chambre ROYALE des antiquaires et négociants en œuvres d'art de Belgique (ROCAD).de la Chambre Belge des Experts en art, de la Confédération Européenne des Experts en Art,du NECA (New Exhibitions of Contemporary Art) de la Fondation des Arts - Brussels.de l'Indigenous Art Code en Australie, de l'association Européenne BRUNEAF.

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