Building A Rough Cut On The Cut Page - DaVinci Resolve Video Tutorial

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From the course: DaVinci Resolve Fundamentals

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Solution: Building a rough cut on the Cut page - DaVinci Resolve Tutorial

From the course: DaVinci Resolve Fundamentals

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Solution: Building a rough cut on the Cut page

“

- How do you do? If you're an experienced editor, you probably struggled with the cut page. That's okay. You don't have to use it if you don't want to. And when putting together a radio edit like this, it does seem like a weird design choice on the cut page not to allow us to leave gaps in our timeline. In a moment, I will show you a kind of a workaround to that. But first I want to share with you my version of this radio edit. What I did is export it as a .drt or DaVinci resolve timeline file. That's right, in Resolve 17 and later we can export and import timelines instead of entire projects, which is kind of nifty. It's also a little quirky, so let's see how it works. And then we'll review my radio edit, and I'll give you some additional homework. To import the .drt, let's jump into the media page, cause it's a little easier to see what's about to happen here and let's go to the timelines pins. You can see, this…

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Contents

• Introduction Introduction
  • Learning DaVinci Resolve 2m 38s
  • Understanding the exercise files 3m 35s
  • Restoring the DaVinci Resolve archive 2m 13s
  • Restoring DaVinci Resolve projects 4m 57s
• 1. DaVinci Resolve Setup Essentials 1. DaVinci Resolve Setup Essentials
  • (Locked) Common interface elements 6m 36s
  • (Locked) The grand tour of DaVinci Resolve: Part 1 7m 17s
  • (Locked) The grand tour of DaVinci Resolve: Part 2 5m 28s
  • (Locked) DaVinci Resolve vs. DaVinci Resolve Studio 7m 20s
  • (Locked) Can your computer run DaVinci Resolve? 3m 31s
  • (Locked) Essential system and user preferences 5m 33s
  • (Locked) Essential project preferences 3m 59s
  • (Locked) Creating your first project 6m 11s
• 2. Organizing Media on the Media and Cut Pages 2. Organizing Media on the Media and Cut Pages
  • (Locked) Importing footage 4m 30s
  • (Locked) Organizing your media into bins 4m 29s
  • (Locked) Viewing and managing bins 5m 36s
  • (Locked) Transport controls and marking clips 4m 56s
  • (Locked) Tagging clips by color and clip markers 3m 50s
  • (Locked) Creating smart bins 3m 43s
  • (Locked) Metadata management on the Media page 2m 56s
  • Using face detection in Resolve Studio 6m 22s
  • (Locked) Modifying source clip audio settings 7m 9s
• 3. Assembling Your Story on the Cut Page 3. Assembling Your Story on the Cut Page
  • Navigating the Cut page 3m 49s
  • (Locked) Creating, organizing, modifying timeline settings 6m 18s
  • (Locked) Editing 101 9m 46s
  • (Locked) Challenge: Building a rough cut on the Cut page 10m 34s
  • (Locked) Solution: Building a rough cut on the Cut page 6m 22s
  • (Locked) Fine-tuning edit points and adding B-roll 11m 47s
  • (Locked) Trimming audio 6m 37s
  • (Locked) Onscreen controls for transforms and dynamic zoom 7m 48s
  • (Locked) Adding transitions and graphics 4m 47s
  • (Locked) Working with music 10m 49s
• 4. Refining Your Story on the Edit Page 4. Refining Your Story on the Edit Page
  • Navigating Resolve’s Edit page 6m 4s
  • (Locked) Organizing audio and video track layouts 9m
  • (Locked) Track targeting with the auto track selector 7m 33s
  • (Locked) Understanding the Inspector 6m 31s
  • (Locked) Adding effects on the Edit page 6m 55s
  • (Locked) Animating audio and video using keyframes 10m 3s
• 5. Color Page Tips 5. Color Page Tips
  • (Locked) Understanding and navigating the Color page 12m 19s
  • (Locked) Three-way color wheels 7m 33s
  • (Locked) Custom curves 7m 14s
  • Using scopes to evaluate exposure 7m 33s
  • (Locked) Using scopes to evaluate colorfulness 6m 17s
  • (Locked) Color grading with scopes 8m 8s
  • (Locked) Automatic color grading tools 8m 48s
  • (Locked) Serial nodes: Part 1 9m 3s
  • (Locked) Serial nodes: Part 2 4m 49s
  • Using the Gallery 5m 21s
  • (Locked) Copying color corrections 3m 37s
  • (Locked) Exploring Resolve's built-in looks 3m 54s
  • (Locked) Targeting fixes: Hue vs. saturation vs. curves 9m 58s
  • (Locked) Power windows 101: Isolating corrections 11m 48s
  • (Locked) Tracking power windows 11m 33s
  • (Locked) A note about LUTs (look-up tables) 6m 20s
• 6. Mixing 101 on the Fairlight Page 6. Mixing 101 on the Fairlight Page
  • (Locked) Navigating the Fairlight page 6m 5s
  • (Locked) Challenge: Splitting audio tracks for mixing 4m 28s
  • (Locked) Setting clip-level audio levels 6m 35s
  • (Locked) Setting track-level audio levels 6m 42s
• 7. Rendering and Delivering on the Deliver Page 7. Rendering and Delivering on the Deliver Page
  • Navigating the Deliver page 5m 53s
  • (Locked) Rendering to online streaming platforms and data burn-in 6m 30s
  • (Locked) Rendering overview for FCP, Premiere Pro, Avid, Pro Tools 2m 36s
  • (Locked) Managing the Render Queue 4m 34s
  • Presets and individual-clip vs. single-clip exports 4m 34s
  • (Locked) Tip: Digital Cinema Package (DCP) export and playback 5m 46s
• Conclusion Conclusion
  • (Locked) Additional DaVinci Resolve resources 3m 33s
  • (Locked) Thank you and goodbye 1m 3s

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