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From the course: Premiere Pro Guru: Outputs and Media Encoder

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H.264 for Blu-ray

From the course: Premiere Pro Guru: Outputs and Media Encoder

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H.264 for Blu-ray

“

- Blu-ray Discs can handle a couple different types of video formats. They can use the older MPEG-2 format, but they can also play back the newer H.264 format. I wanna take a look at making those H.264 for Blu-ray files. But keep in mind when we're using disc-based media we're just creating the file output that still needs to go into an authoring program to make the actual Blu-ray Disc. Let's see how we make those files. I'm here in Media Encoder and I have a test file queued up. I wanna go into my Format selection and choose H.264 for Blu-ray. This is similar to our H.264 setting, except the presets will be specifically designed for high definition Blu-ray use. So here you see all of the presets match standard high definition formats. 720p at different frame rates. 1080i and 1080p at common frame rates. Generally when you're making this type of disc-based output you don't wanna deviate much here. You wanna know what format, hopefully, was used for the whole process. Shooting…

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Contents

• Introduction Introduction
  • Welcome 39s
  • What you should know 30s
  • Exercise 42s
• 1. Essential Concepts and Terminology for Professional Compression 1. Essential Concepts and Terminology for Professional Compression
  • (Locked) Why language matters 1m 2s
  • Overview of the interface 1m 44s
  • (Locked) Choosing a format 2m 1s
  • (Locked) The use of codecs 1m 53s
  • (Locked) Use and converting an asset's frame rates 2m 23s
  • (Locked) The role of data rates 2m 40s
  • (Locked) Work with interlaced or progressive files 2m 46s
  • (Locked) Common file extensions for video and audio file types 2m 35s
• 2. Access Adobe Media Encoder 2. Access Adobe Media Encoder
  • (Locked) Export with Media Encoder for Premiere Pro 2m 36s
  • (Locked) Export with Media Encoder for After Effects 2m 4s
  • Use Media Encoder as a standalone application 1m 49s
  • (Locked) Load Adobe project files directly 2m 24s
  • (Locked) Essential keyboard shortcuts for Adobe Media Encoder 3m 10s
• 3. Plan and Execute: Export Workflows 3. Plan and Execute: Export Workflows
  • (Locked) Stitch files together on import 1m 52s
  • (Locked) Working with Premiere Pro previews for export 3m 26s
  • (Locked) Create a master file for compression 2m 4s
  • Use multiple output files 2m 28s
  • (Locked) An introduction to automation 2m 19s
• 4. Better and Faster Video Output 4. Better and Faster Video Output
  • (Locked) Faster encodes with constant bit-rate encoding 2m 25s
  • (Locked) Higher-quality encodes 2m 39s
  • (Locked) Compression goals for video-sharing websites 3m 18s
• 5. The Role of Effects in Media Encoder 5. The Role of Effects in Media Encoder
  • (Locked) Apply a LUT to a converted file 2m 56s
  • (Locked) Conform HDR video to a standard dynamic range 2m 34s
  • (Locked) Use an image overlay to watermark videos 2m 40s
  • (Locked) Use a text overlay 2m 17s
  • Use a timecode overlay 2m 47s
  • (Locked) Set a target export time with Time Tuner 3m 33s
  • (Locked) Normalizing video and audio on export 2m 53s
• 6. Encoding for Portable Devices 6. Encoding for Portable Devices
  • (Locked) Identify your device requirements 1m 57s
  • (Locked) Export for iOS and Android devices 1m 37s
  • (Locked) Adjusting iOS and Android workflows 2m 21s
• 7. Encoding for Web Video 7. Encoding for Web Video
  • (Locked) Create MPEG and H.264 2m 47s
  • (Locked) Create H.265 HEVC files for the web 2m 48s
  • (Locked) Publish to YouTube 2m 52s
  • (Locked) Publish to Facebook 2m 42s
  • (Locked) Publish to Vimeo 2m 48s
  • (Locked) Publish to Twitter 2m 7s
• 8. Transcoded Workflows for Broadcast 8. Transcoded Workflows for Broadcast
  • (Locked) Understand mastering and delivery codecs 1m 13s
  • (Locked) Create and work with DNxHR and DNxHD files 1m 35s
  • Create working MXF OP1a files 3m 19s
  • (Locked) Create and work with professional QuickTime files 1m 30s
• 9. Encoding for Disk-Based Media 9. Encoding for Disk-Based Media
  • (Locked) Disk-based outputs 1m 47s
  • (Locked) MPEG for DVD and Blu-ray 2m 2s
  • (Locked) H.264 for Blu-ray 1m 36s
  • (Locked) Adjusting disk-based outputs 3m 36s
• 10. Other Export Workflows 10. Other Export Workflows
  • (Locked) Master and archive formats 4m 32s
  • (Locked) Create image sequences 3m 9s
  • (Locked) Work with alpha channels on export 4m 39s
  • (Locked) Create and work with Wraptor DC packages 2m 41s
• 11. Custom Settings 11. Custom Settings
  • (Locked) Storing custom settings 3m 2s
  • (Locked) Organize and share custom settings 2m 21s
  • Sync settings across multiple machines 1m 25s
  • (Locked) Watch folders in Adobe Encoder 2m 31s
  • (Locked) Custom watch folder outputs 1m 28s
  • (Locked) Automate FTP uploads 2m 3s
  • (Locked) Add customer metadata to export 3m 43s
  • (Locked) Include script or speech analysis 2m 17s
  • (Locked) Publish to Adobe Stock 1m 39s
• Conclusion Conclusion
  • (Locked) Conclusion 25s

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