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Download Free PDF[22] Lia leh Taang Vai 03Pau Thangvisibility…
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The Songkran Festival in Chiang Tung: A Symbolic Performance of Domination and Subordination between Lowland Tai and Hill TaiKlemens KarlssondownloadDownload free PDFView PDFchevron_rightSymbolism of the mountains: A study of selected poems of Mamang DaiHarpreet Vohra2013
Mamang Dai, celebrated writer from Arunachal Pradesh often glorifies nature in its primordial form. She celebrates both the mystic as well as the commonplace that nature radiates; exploring myths behind the ‘forces of nature’, and thus leading the reader to ecological forests and magic drum beats. Mountains form a leitmotif of several of her poems, and they lead us to ancient myths and rich tribal folklore. Mountains are thus not a mere landform, but an intrinsic part of the collective psyche of the people of Arunachal Pradesh. The paper aims to examine the significance and the symbolism of the mountain in the following poems of Mamang Dai: “An Obscure Place”, “The Voice of the Mountain” and “Small Towns and the River”. In each of the poems the poet portrays the important place that mountains have in tribal pantheons. The antiquity of the mountains, their sacredness and mystique in Mamang Dais’ poems adequately bring out their symbolism and significance. The poet weaves around them ...
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Terng Ly Tow is a form of performing arts from the Karen ethnic group. Based on the fieldwork informed by ethnographic research methods and ethnomusicology research methods at Kong Mong Ta village in Laiwo subdistrict, Sangklaburi district, Kanchanaburi province, members of the community had been practising the performance for several generations. The meaning of the Terng Ly is dance and the meaning of Tow is a group.
downloadDownload free PDFView PDFchevron_rightCALA 2019 - Paper 13-3 - The Three-Tiered World (Tam Phu) of the Tay People in Vietnam through the Performance of Then RitualsCALA Asia, SOAS GLOCALThe CALA 2019 Proceedings, 2019
The Tay people represent an ethnic minority in the mountainous north of Vietnam. As do Shaman rituals in all regions, the Shaman of the Tay people in Vietnam exhibit uniqueness in their languages and accommodation of their society’s world view through their ‘Then’ rituals. The Then rituals require an integration of many artistically positioned and framed elements, including language (poetry, vows, chanting, the dialogue in the ritual), music (singing, accompaniment), and dance. This paper investigates The Art of Speaking of the Tay Shaman, through their Then rituals, which include use of language to describe the imaginary journey of the Shaman into the threetiered world (Muong fa - Heaven region (Thien phu); Muong Din - Mountain region (Nhac phu); Muong Nam - Water region (combination of Thuy phu and Dia phu) to describe dealings with deities and demons, and to describe the phenomenon of possession. The methodic framework of the paper thus includes discussions of in the comparison between the concept of the three-storey world in the Then ritual of the Tay people with the concept of Tam Tu phu in the Len dong ceremony of the Kinh in Vietnam. Thereby, it clearly shows the concept of Tay people of the universe, the world of gods, demons, the existence of the soul and the body, and the existence of human soul after death. The study contributes to Linguistics and Anthropology in that it observes and describes the world views of a Northern Vietnamese ethnicity, and their negotiation with spirituality, through languages of both a spiritualistic medium and society.
downloadDownload free PDFView PDFchevron_rightMyths and Ideology in Customary Ritual of Ma’tammu Tedong for Life of Toraja PeopleRita TandukBudapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences, 2021
Customary ritual of rambu solo’ in Toraja is based on noble values of culture that influences life pattern of Toraja people. Current development has changed the way of life and thinking of Toraja people to customary ceremony. Basic understanding is needed in interpreting the ceremonies. This paper discusses the meaning of ritual text myth that is represented by buffalo meeting. Participant observation methods used with field notes, recording, and interview techniques completed the data collection. The data were analyzed interpretatively by semiotic approach. The ritual text of the buffalo meeting ceremony in rambu solo’ ceremony is a symbolic form, parallelism, and metaphor which also constructs the meaning of customary ritual myth. Through the ritual remarks on the seven types of buffalo in the ceremony of rambu solo’ indicating views, concepts, and motivations are used as guidelines for life for Toraja people. The result of the research shows that, (1) the customary ritual text of...
downloadDownload free PDFView PDFchevron_right(2000) Triangulating Tamang ethnohistory. IN Roundtable on The Politics of Culture and Identity.Kathryn S MarchHimalaya: journal of the Association for Nepal and Himalayan Studies (formerly Himalayan Research Bulletin), 1999
Brian Hodgson's papers include a remarkable 1847 description "Manners and Customs of the Murmis" apparently produced by one of Hodgson's scribe/research assistants from an interview with Dhan Krishna Yonjen from the Timal region of eastern Tamang residence. This document opens many interesting windows on Tamang historical culture and the ways in which it has been (mis)represented both by British colonial and Nepalese internal colonial practice. Based on research with David Holmberg, Mukta Singh Lama-Tamang and Amrit Yonjan-Tamang.
downloadDownload free PDFView PDFchevron_right[7] A Brief Linguistic Biography of Taang ZomiPau ThangdownloadDownload free PDFView PDFchevron_rightA Note on Tsangmo, a Bhutanese QuatrainDorji PenjoreJournal of Bhutan Studies, 2017
Tsangmo (gtsang mo) is the most popular Bhutanese oral tradition after folktales (srung). Other oral performance like folksongs are sung or danced mostly during village festivals or new year (blo gsar), whereas tsangmo is sung almost every day as young people go about their work, fetching water from fountains or ponds, collecting firewood, fodder, and leaf-litters, herding cattle, running errands to next villages, travelling to attend village meetings, and on the farm ploughing and digging land, sowing seeds, and weeding and harvesting crops. Such was the popularity of tsangmo then. But not anymore.
downloadDownload free PDFView PDFchevron_rightMountain People in the Muang: Creation and Governance of a Tai Polity in Northern LaosShinsuke Tomita, Nathan BadenochSoutheast Asian Studies, 2013
This paper traces the history of Luang Namtha, an intermontane valley basin in northern Laos, based on the narratives of non-Tai ethnic groups that collectively constitute a majority in the region. The narratives demonstrate the possibility of alternative histories of muang polities, which are a core part of our understanding g of Tai social and political organization. These narratives describe a central role for mountain people in the muang, including the formation, population, and development of what appears to be a Tai polity. This analysis suggests the need to open up our understanding of " traditional " Tai political spaces to accommodate an expanded historical agency for upland groups conventionally circumscribed within their own upland setting. This paper argues that the first step towards a more nuanced understanding of muang is recognizing them as cosmopolitan areas in which many sources g of power, innovation, and transformation intersect. The Lanten, Sida, and Bit people living in the foothills surrounding the town of Luang Namtha in northern Laos tell of how the valley was empty when their forefathers migrated to the area at the end of the nineteenth century. Some even assert that they were the ones who established the current valley settlement and have played a central role in its governance. These claims go against our assumptions about the expected historical development of a small urban center in northern Laos. Indeed, as the plane clears the mountains and descends into the valley, one sees a town surrounded by wet rice fields that cover an area of 100 square kilometers and two Buddhist stupas on the hills overlooking the city. The village next to the airport has an old Buddhist temple, and the
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